{"id":33945,"date":"1998-01-01T00:00:00","date_gmt":"1998-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-silleria-del-coro-de-la-catedral-de-jaen-analisis-formal-y-estructural\/"},"modified":"1998-01-01T00:00:00","modified_gmt":"1998-01-01T00:00:00","slug":"la-silleria-del-coro-de-la-catedral-de-jaen-analisis-formal-y-estructural","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-silleria-del-coro-de-la-catedral-de-jaen-analisis-formal-y-estructural\/","title":{"rendered":"La silleria del coro de la catedral de jaen: analisis formal y estructural."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Alfonso Mart\u00ednez Ru\u00edz <\/strong><\/h2>\n<p>Tomo i: recoge el texto con las partes siguientes.- I) el m\u00e9todo de investigaci\u00f3n que se ha seguido tiene su base en forma grafica y analitico-descriptiva.\/ Ii) el estudio historico por medio de una cronolog\u00eda comparada de la iglesia catedral, y su coro y silleria.\/ Iii) el analisis formal, en donde se analizan el \u00abtodo\u00bb y las \u00abpartes\u00bb, realizando una reconstrucci\u00f3n hipot\u00e9tica de la siller\u00eda del s. Xvi, y el an\u00e1lisis descriptivo de los m\u00f3dulos de la siller\u00eda de can\u00f3nigos y bancos de los caballeros.  iv) analisis estructural de su armaz\u00f3n, anclajes y ensambles interiores y exteriores descritos por medio de dibujos ilustrativos-t\u00e9cnicos, y cortes normalizados trasversales.\/ V) conclusiones.\/ Vi) bibliografia.  tomo ii: de la parte gr\u00e1fica.- I) recoge los planos de la reconstrucci\u00f3n hipot\u00e9tica del s. Xvi (planta y alzados).\/ ii) planimetr\u00eda de la siller\u00eda actual o del s.Xviii (plantas y alzados).\/ Iii) los croquis acotados de la recogida de datos, con dibujos de detalles, secciones o cortes normalizados y dibujos ilustrativos.\/ Iv) fichas descriptivas de m\u00f3dulos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La silleria del coro de la catedral de jaen: analisis formal y estructural.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La silleria del coro de la catedral de jaen: analisis formal y estructural. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Alfonso Mart\u00ednez Ru\u00edz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Miguel Barranco L\u00f3pez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Ba\u00f1os Martos <\/li>\n<li>Pedro Galera Andreu (vocal)<\/li>\n<li>Francisco Jimenez Yanguas (vocal)<\/li>\n<li>Rodolfo Conesa Bermejo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Alfonso Mart\u00ednez Ru\u00edz Tomo i: recoge el texto con las partes siguientes.- I) el m\u00e9todo de investigaci\u00f3n [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,4363,1111],"tags":[57820,3811,13547,74741,3974,36204],"class_list":["post-33945","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-escultura","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-alfonso-Martinez-ruiz","tag-francisco-banos-martos","tag-francisco-jimenez-yanguas","tag-miguel-barranco-lopez","tag-pedro-galera-andreu","tag-rodolfo-conesa-bermejo"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/33945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=33945"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/33945\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=33945"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=33945"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=33945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}