{"id":34084,"date":"1998-01-01T00:00:00","date_gmt":"1998-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-imagen-del-personaje-homosexual-masculino-como-protagonista-en-la-cinematografia-espanola\/"},"modified":"1998-01-01T00:00:00","modified_gmt":"1998-01-01T00:00:00","slug":"la-imagen-del-personaje-homosexual-masculino-como-protagonista-en-la-cinematografia-espanola","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-imagen-del-personaje-homosexual-masculino-como-protagonista-en-la-cinematografia-espanola\/","title":{"rendered":"La imagen del personaje homosexual masculino como protagonista en la cinematografia espa\u00f1ola."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Juan  Carlos Alfeo \u00e1lvarez <\/strong><\/h2>\n<p>El objetivo de la investigaci\u00f3n es analizar la imagen cinematogr\u00e1fica de la cuesti\u00f3n homosexual, tomando en cuenta las pel\u00edculas producidas en espa\u00f1a entre 1961 y 1996 cuyos relatos est\u00e9n protagonizados por personajes homosexuales.  mediante un modelo de an\u00e1lisis basado en el m\u00e9todo de cuantificaci\u00f3n de rasgos, se ha estudiado la representaci\u00f3n de par\u00e1metros tales como edad, nivel cultural y sociecon\u00f3mico, grado de visibilidad social, grado de aceptaci\u00f3n en funci\u00f3n de los \u00e1mbitos (personal, familiar, laboral, social), etc. Se ha dedicado una especial atenci\u00f3n al estudio del tratamiento f\u00edlmico de las acciones diferenciales y su evoluci\u00f3n, as\u00ed como su asociaci\u00f3n a otros comportamientos sociales.  las conclusiones revelan que ha habido evoluci\u00f3n en el tratamiento cinematogr\u00e1fico de la homosexualidad, localiz\u00e1ndose tres modalidades de representaci\u00f3n: oculta, reivindicativa y desfocalizada. Igualmente se d\u00e1 cuenta de la existencia de una tipolog\u00eda cinematogr\u00e1fica coherente y estable para el personaje homosexual.  por \u00faltimo la investigaci\u00f3n llama la atenci\u00f3n sobre la negatividad y el pesimismo que, en la mayor parte de los casos, caracteriza a la imagen que desde los discursos f\u00edlmicos se ofrece de la circunstancia homosexual, independientemente de la \u00e9poca o de la modalidad de representaci\u00f3n a la que pertenezcan.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La imagen del personaje homosexual masculino como protagonista en la cinematografia espa\u00f1ola.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La imagen del personaje homosexual masculino como protagonista en la cinematografia espa\u00f1ola. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Juan  Carlos Alfeo \u00e1lvarez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francisco Garcia Garcia<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Juan Benavides Delgado <\/li>\n<li>Jos\u00e9 Soengas P\u00e9rez (vocal)<\/li>\n<li>Jos\u00e9 Manuel Palacio Arranz (vocal)<\/li>\n<li>Jes\u00fas Jimenez Segura (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Juan Carlos Alfeo \u00e1lvarez El objetivo de la investigaci\u00f3n es analizar la imagen cinematogr\u00e1fica de la cuesti\u00f3n [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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