{"id":34107,"date":"1998-01-01T00:00:00","date_gmt":"1998-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/juego-y-artificio-del-manierismo-a-la-ilustracion\/"},"modified":"1998-01-01T00:00:00","modified_gmt":"1998-01-01T00:00:00","slug":"juego-y-artificio-del-manierismo-a-la-ilustracion","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/juego-y-artificio-del-manierismo-a-la-ilustracion\/","title":{"rendered":"Juego y artificio del manierismo a la ilustracion."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Alfredo Aracil Avila <\/strong><\/h2>\n<p>Se estudia fundamentalmente el sentido l\u00fadico que presidi\u00f3 buena parte del ocio y la actividad cotidiana en las cortes y ciudades durante el renacimiento y el barroco (en la fiesta, el jardin, las colecciones y, en general, en el comportamiento) y que orient\u00f3 buena parte de las reflexiones sobre el fin o la utilidad del arte de muchos de sus tratadistas y pensadores, de la mano del desarrollo de la ciencia y la mec\u00e1nica en este periodo.  lo l\u00fadico y lo cient\u00edfico no son ajenos entre s\u00ed; el enorme desarrollo de realidades \u00abvirtuales\u00bb (l\u00fadicas muchas de ellas, como aut\u00f3matas, espacios teatrales, jardines, jerogl\u00edficos, caprichos, anamorfosis) en estos a\u00f1os fue en gran medida producto de una fruct\u00edfera crisis de la ciencia y el conocimiento que preside todo el periodo: el hombre del renacimiento ya sabe que el mundo no es como se cre\u00eda en la edad media que era, pero la soluci\u00f3n ha de esperar al siglo xviii. Los puntos de encuentro entre estos dos \u00e1mbitos, el de la ciencia y el del juego, aparentemente tan separados, pueden ser entendidos como met\u00e1fora de la sensibilidad del momento, y objetos-testigo de un importante cambio de mentalidad.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Juego y artificio del manierismo a la ilustracion.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Juego y artificio del manierismo a la ilustracion. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Alfredo Aracil Avila <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonio Bonet Correa<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Jos\u00e9 Portela Sandoval <\/li>\n<li>Jos\u00e9 Jimenez Jimenez (vocal)<\/li>\n<li>Emilio Casares Rodicio (vocal)<\/li>\n<li> Sanchez Belen Juan  Antonio (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Alfredo Aracil Avila Se estudia fundamentalmente el sentido l\u00fadico que presidi\u00f3 buena parte del ocio y la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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