{"id":34404,"date":"1998-01-01T00:00:00","date_gmt":"1998-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-narrador-en-la-novela-romantica\/"},"modified":"1998-01-01T00:00:00","modified_gmt":"1998-01-01T00:00:00","slug":"el-narrador-en-la-novela-romantica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-narrador-en-la-novela-romantica\/","title":{"rendered":"El narrador en la novela romantica."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Jimenez De La Fuente Mercedes <\/strong><\/h2>\n<p>La presente tesis doctoral se propone estudiar la figura del narrador en la novela rom\u00e1ntica del siglo xix a trav\u00e9s de un corpus de novelas escritas por los autores m\u00e1s representativos de la \u00e9poca rom\u00e1ntica. Se han seleccionado, dentro de la copiosa producci\u00f3n novel\u00edstica de este per\u00edodo, doce obras de otros tantos escritores rom\u00e1nticos: los bandos de castilla o el caballero del cisne, de ram\u00f3n l\u00f3pez soler;el doncel de don enrique el doliente, de mariano jos\u00e9 de larra; sancho salda\u00f1a, de jos\u00e9 de espronceda; ni rey ni roque de patricio de la escosura; el golpe en vago, de jos\u00e9 garc\u00eda de villalta; do\u00f1a isabel de solis, reina de granada, de francisco mart\u00ednez de la rosa; sab, de gertrudis g\u00f3mez de avellaneda; el se\u00f1or de bembibre, de enrique gil y carrasco; do\u00f1a blanca de navarro villoslada; paquita, de carolina coronado; de villahermosa a la china, de nicomedes-pastor d\u00edaz, y la hija del mar, de rosalia de castro.  lo que se pretende demostrar es la existencia de un narrador espec\u00edfico de esta \u00e9poca, que se repite n todos los textos estudiados.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El narrador en la novela romantica.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El narrador en la novela romantica. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Jimenez De La Fuente Mercedes <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Marina Mayoral Diaz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Alicia Redondo Goicoechea <\/li>\n<li>Enrique Rubio Cremades (vocal)<\/li>\n<li>Covadonga Lopez Alonso (vocal)<\/li>\n<li>Mercedes Boixareu Vilaplana (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jimenez De La Fuente Mercedes La presente tesis doctoral se propone estudiar la figura del narrador en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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