{"id":34535,"date":"1998-01-01T00:00:00","date_gmt":"1998-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/las-cintas-ornamentales-de-las-iglesias-romanicas-de-segovia-dibujos-y-catalogacion\/"},"modified":"1998-01-01T00:00:00","modified_gmt":"1998-01-01T00:00:00","slug":"las-cintas-ornamentales-de-las-iglesias-romanicas-de-segovia-dibujos-y-catalogacion","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/las-cintas-ornamentales-de-las-iglesias-romanicas-de-segovia-dibujos-y-catalogacion\/","title":{"rendered":"Las cintas ornamentales de las iglesias romanicas de segovia: dibujos y catalogacion."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Naranjo Lopez M. Rosario <\/strong><\/h2>\n<p>Es el estudio del dibujo, es decir, de la interpretaci\u00f3n gr\u00e1fica de las cintas ornamentales de las iglesias rom\u00e1nicas de la ciudad de segovia circunscrito a las cintas del exterior de los templos por razones de car\u00e1cter operativo -ya que la realizaci\u00f3n del mismo en el interior de los templos est\u00e1 sujeta a m\u00faltiples restricciones-.  el estudio parte de un exhaustivo trabajo de campo, de b\u00fasqueda y recopilaci\u00f3n de las cintas ornamentales para, a continuaci\u00f3n, realizar la configuraci\u00f3n dibuj\u00edstica de las mismas mediante el estudio de las formas que las componen, localizarlas, y catalogar las cintas mediante los siguientes criterios: 1. Localizaci\u00f3n en la iglesia, 2. Fachada en la que se encuentra situada, 3. Formas de los motivos, 4. Catalogaci\u00f3n de cintas, 5. Motivo, 6.  dibujo del motivo, 7. Organizaci\u00f3n de los motivos, 8.  calificaci\u00f3n escult\u00f3rica, 9. Estado de conservaci\u00f3n de las cintas, 10. Repetici\u00f3n en otras iglesias.  todo ello para llegar a conclusiones cuantitativas, mediante el uso de estad\u00edstica descriptiva, y cualitativas que pueden enriquecer el concepto de dibujo dentro de las artes ornamentales y el concepto de ornamentaci\u00f3n del rom\u00e1nico en segovia en particular.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Las cintas ornamentales de las iglesias romanicas de segovia: dibujos y catalogacion.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Las cintas ornamentales de las iglesias romanicas de segovia: dibujos y catalogacion. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Naranjo Lopez M. Rosario <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>M Luisa Martinez  Salmean<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Echauz Buisan <\/li>\n<li>Mar\u00eda Pilar Roig Picazo (vocal)<\/li>\n<li>Mar\u00eda  Teresa Escohotado Ibor (vocal)<\/li>\n<li>Francisco Lagares Prieto (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Naranjo Lopez M. Rosario Es el estudio del dibujo, es decir, de la interpretaci\u00f3n gr\u00e1fica de las [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,4100,104,1014,222,1111],"tags":[4967,4969,52349,16866,6561,93100],"class_list":["post-34535","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-dibujo-y-grabado","category-historia","category-historia-del-arte","category-historias-especializadas","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-francisco-echauz-buisan","tag-francisco-lagares-prieto","tag-m-luisa-Martinez-salmean","tag-maria-pilar-roig-picazo","tag-maria-teresa-escohotado-ibor","tag-naranjo-lopez-m-rosario"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/34535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=34535"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/34535\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=34535"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=34535"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=34535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}