{"id":34945,"date":"1998-01-01T00:00:00","date_gmt":"1998-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-narrativa-y-la-dramaturgia-olvidadas-de-gabriel-celaya\/"},"modified":"1998-01-01T00:00:00","modified_gmt":"1998-01-01T00:00:00","slug":"la-narrativa-y-la-dramaturgia-olvidadas-de-gabriel-celaya","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-narrativa-y-la-dramaturgia-olvidadas-de-gabriel-celaya\/","title":{"rendered":"La narrativa y la dramaturgia olvidadas de gabriel celaya."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda  Angeles Moragues Chazarra <\/strong><\/h2>\n<p>Trabajo estructurado en dos partes, la narrativa y la dramaturguia de g. Celaya, analizadas con m\u00e9todos distintos para una clara diferenciaci\u00f3n de sendas manifestaciones art\u00edsticas, la primera aborda los seis t\u00edtulos narrativos de celaya desde la perspectiva de la teor\u00eda de la literatura presencia de distintos g\u00e9neros literarios en uno y varios de los t\u00edtulos referidos, modalidades elocutivas, voces narrativas, personas gramaticales, focalizaciones de los narradores, as\u00ed como el registro de una tipolog\u00eda novel\u00edstica. Acercamiento a la problem\u00e1tica generacional del autor.  an\u00e1lisis de las once obras teatrales siguiendo el esquema: espacio-tiempo, tem\u00e1tica, estructura, personajes, lenguaje, acotaciones, \u00fatiles teatrales, s\u00edmbolos, m\u00fasica e iluminaci\u00f3n y aspectos peculiares de cada obra. Asimismo se estudian las relaciones de celaya-dramaturgo con otros autores y \u00e9pocas y se realiza un estudio semiol\u00f3gico de la puesta en escena de la \u00fanica obra representada. Tambi\u00e9n es abordada la consideraci\u00f3n postuma de celaya en la prensa.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La narrativa y la dramaturgia olvidadas de gabriel celaya.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La narrativa y la dramaturgia olvidadas de gabriel celaya. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda  Angeles Moragues Chazarra <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Murcia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francisco Javier Diez De Revenga Torres<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Mar\u00eda no De Paco Moya <\/li>\n<li> D\u00edez De Revenga Torres Mar\u00eda Josefa (vocal)<\/li>\n<li>Antonio D\u00edez Mediavilla (vocal)<\/li>\n<li>Jes\u00fas Rubio Jim\u00e9nez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Angeles Moragues Chazarra Trabajo estructurado en dos partes, la narrativa y la dramaturguia de g. Celaya, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,104,713,222,8235,628],"tags":[58274,8640,8638,1114,93765,8643],"class_list":["post-34945","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-historia","category-historia-de-la-literatura","category-historias-especializadas","category-murcia","category-teoria-analisis-y-critica-literarios","tag-antonio-diez-mediavilla","tag-diez-de-revenga-torres-maria-josefa","tag-francisco-javier-diez-de-revenga-torres","tag-jesus-rubio-jimenez","tag-maria-angeles-moragues-chazarra","tag-maria-no-de-paco-moya"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/34945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=34945"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/34945\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=34945"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=34945"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=34945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}