{"id":35165,"date":"1998-01-01T00:00:00","date_gmt":"1998-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-piano-romantico-espanol-1830-1855\/"},"modified":"1998-01-01T00:00:00","modified_gmt":"1998-01-01T00:00:00","slug":"el-piano-romantico-espanol-1830-1855","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-piano-romantico-espanol-1830-1855\/","title":{"rendered":"El piano romantico espa\u00f1ol 1830-1855."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Gemma Salas Villar <\/strong><\/h2>\n<p>Tras una complet\u00edsima labor de documentaci\u00f3n y archivo la tesis doctoral \u00bb el piano rom\u00e1ntico espa\u00f1ol 1830-1855&#8243;.  propone un acabado estudio de los dos autores que representan la entrada del piano rom\u00e1ntico es espa\u00f1a pedro p\u00e9rez de albaniz y santiago masarnau. Con una completa catalogaci\u00f3n de su obra y an\u00e1lisis musical, adem\u00e1s de ofrecer un novedoso estudio de los m\u00e9todos espa\u00f1oles para piano, la formaci\u00f3n de una tradici\u00f3n pian\u00edstica en espa\u00f1a y la imbricaci\u00f3n del instrumento en los espacios musicales del romanticismo espa\u00f1ol.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El piano romantico espa\u00f1ol 1830-1855.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El piano romantico espa\u00f1ol 1830-1855. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Gemma Salas Villar <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Oviedo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ramon Sobrino Sanchez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Emilio Casares Rodicio <\/li>\n<li>Mar\u00eda Antonia Virgili Blanquet (vocal)<\/li>\n<li>Francesc Bonastre Bertran (vocal)<\/li>\n<li>Mar\u00eda  Encina Cortizo Rodriguez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gemma Salas Villar Tras una complet\u00edsima labor de documentaci\u00f3n y archivo la tesis doctoral \u00bb el piano [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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