{"id":35418,"date":"1998-01-01T00:00:00","date_gmt":"1998-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-teatro-espanol-en-la-segunda-mitad-del-siglo-xix\/"},"modified":"1998-01-01T00:00:00","modified_gmt":"1998-01-01T00:00:00","slug":"el-teatro-espanol-en-la-segunda-mitad-del-siglo-xix","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-teatro-espanol-en-la-segunda-mitad-del-siglo-xix\/","title":{"rendered":"El teatro espa\u00f1ol en la segunda mitad del siglo xix."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Fernandez Vazquez Jos\u00e9 M. <\/strong><\/h2>\n<p>Esta tesis doctoral pretende ser un acercamiento al teatro de la segunda mitad del siglo xix.  se parte del concepto de instituci\u00f3n literaria para definir el modelo teatral decimon\u00f3nico.  la instituci\u00f3n literaria est\u00e1 formada por todos los elementos implicados en el proceso teatral: autores, actores, editores, empresarios que junto con la idea de un local colise\u00edstico de car\u00e1cter burgu\u00e9s forzar\u00e1n la creaci\u00f3n del modelo.  proponemos la idea de un modelo teatral decimon\u00f3nico por la rentabilidad creativa y econ\u00f3mica que ten\u00eda en un momento donde el teatro ten\u00eda m\u00e1s valor comercial que cultural. Este modelo es la pieza bien hecha que con una l\u00ednea de acci\u00f3n muy determinada, unos personajes tipo concretos y unos temas muy precisos facilitar\u00e1n la realizaci\u00f3n de la ingente literatura dram\u00e1tica del siglo pasado.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El teatro espa\u00f1ol en la segunda mitad del siglo xix.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El teatro espa\u00f1ol en la segunda mitad del siglo xix. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Fernandez Vazquez Jos\u00e9 M. <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jorge Urrutia Gomez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jenaro Talens Carmona <\/li>\n<li> De Los Reyes Pe\u00f1a Mercedes (vocal)<\/li>\n<li>Cesar Oliva Olivares (vocal)<\/li>\n<li>Rafael Portillo Garc\u00eda (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Fernandez Vazquez Jos\u00e9 M. Esta tesis doctoral pretende ser un acercamiento al teatro de la segunda mitad [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,104,1867,222,10715,628],"tags":[1871,24060,94589,4740,5233,12089],"class_list":["post-35418","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-historia","category-historia-de-la-literatura-espanola","category-historias-especializadas","category-sevilla","category-teoria-analisis-y-critica-literarios","tag-cesar-oliva-olivares","tag-de-los-reyes-pena-mercedes","tag-fernandez-vazquez-jose-m","tag-jenaro-talens-carmona","tag-jorge-urrutia-gomez","tag-rafael-portillo-garcia"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/35418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=35418"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/35418\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=35418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=35418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=35418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}