{"id":35552,"date":"1998-01-01T00:00:00","date_gmt":"1998-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/voces-de-mujer-voces-feministas-se-aportacion-a-la-dramaturgia-britanica-contemporanea\/"},"modified":"1998-01-01T00:00:00","modified_gmt":"1998-01-01T00:00:00","slug":"voces-de-mujer-voces-feministas-se-aportacion-a-la-dramaturgia-britanica-contemporanea","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/voces-de-mujer-voces-feministas-se-aportacion-a-la-dramaturgia-britanica-contemporanea\/","title":{"rendered":"Voces de mujer, voces feministas: se aportacion a la dramaturgia britanica contemporanea."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Manuela Camara Lopez <\/strong><\/h2>\n<p>Esta tesis presenta una panor\u00e1mica del teatro brt\u00e1nico escrito por mujeres durante los a\u00f1os ochenta y primera mitad de los noventa, fundamentalmente. La primera parte, adem\u00e1s de incluir una introducci\u00f3n hist\u00f3rica y un estado de la cuesti\u00f3n sobre el teatro femenista, se centra en una selecci\u00f3n de la cuesti\u00f3n sobre el teatro feminista, se centra en una selecci\u00f3n de autoras que van desde las m\u00e1s represntativas hasta otras m\u00e1s recientes, recorriendo brevemente su trayecctoria y presentando una obra significativa o representativa de sus estilo.  el contenido de la segunda parte lo constituye un acercamiento a textos concretos seleccionados segun un principio muy distintas, acerca de un mismo t\u00f3pico, los temas elegidos son: la particular visi\u00f3n de algunas autoras sobre la historia (incluyendo hechos, personajes, mitos, parodias y denuncia), la pornografia abusos y tendencias sexuales y la figura de la madre.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Voces de mujer, voces feministas: se aportacion a la dramaturgia britanica contemporanea.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Voces de mujer, voces feministas: se aportacion a la dramaturgia britanica contemporanea. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Manuela Camara Lopez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Martinez Luciano Juan  Vicente<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Carmen Morenilla Talens <\/li>\n<li>Ana Mar\u00eda Gimeno Sanz (vocal)<\/li>\n<li>Victoria Guillen Neito (vocal)<\/li>\n<li>Miguel Teruel Pozas (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Manuela Camara Lopez Esta tesis presenta una panor\u00e1mica del teatro brt\u00e1nico escrito por mujeres durante los a\u00f1os [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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