{"id":36192,"date":"1998-01-01T00:00:00","date_gmt":"1998-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-discurso-de-la-masculinidad-en-la-narrativa-de-simone-de-beauvoir-el-pensamiento-a-traves-de-la-practica-literarias\/"},"modified":"1998-01-01T00:00:00","modified_gmt":"1998-01-01T00:00:00","slug":"el-discurso-de-la-masculinidad-en-la-narrativa-de-simone-de-beauvoir-el-pensamiento-a-traves-de-la-practica-literarias","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-discurso-de-la-masculinidad-en-la-narrativa-de-simone-de-beauvoir-el-pensamiento-a-traves-de-la-practica-literarias\/","title":{"rendered":"El discurso de la masculinidad en la narrativa de simone de beauvoir. el pensamiento a traves de la practica literarias."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Millan Mu\u00f1io M. Angeles <\/strong><\/h2>\n<p>El discurso de la masculinidad en la narrativa de simone de beauvoir constituye una revisi\u00f3n del pensamiento y de las estrategias narrativas de esta autora existencialista y feminista desde una perspectiva hasta ahora no contemplada en su obra: su concepci\u00f3n de la masculinidad.  el custionamiento del sujeto universal a partir de la categor\u00eda de la diferencia sexual y del an\u00e1lisis del genero es abordado desde los tres grandes cap\u00edtulos que configuran este estudio. En primer lugar a partir de la noci\u00f3n de escritura, los mundos de realidad y de ficci\u00f3n, la introspecci\u00f3n en la autobiograf\u00eda y la intertextualidad permiten unas claves de lectura actualizada por sus cartas y diarios publicados p\u00f3stumamente. En segundo lugar el texto y el discurso, la interpretaci\u00f3n que marcan el imaginario y el simb\u00f3lico en la articulaci\u00f3n del lenguaje, llevan a un an\u00e1lisis de la masculinidad presentada por simone de beauvoir no como una esencia inmutable, sino como una construcci\u00f3n te\u00f3rica de contenido incierto y, en consecuencia modificable. Se completa este estudio con una profundizaci\u00f3n en el sujeto en situaci\u00f3n, el problema del \u00abotro\u00bb y el car\u00e1cter fragmentario que define la identidad contemplada desde la cr\u00edtica literaria, el psicoan\u00e1lisis, el posmodernismo y la cr\u00edtica feminista.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El discurso de la masculinidad en la narrativa de simone de beauvoir. el pensamiento a traves de la practica literarias.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El discurso de la masculinidad en la narrativa de simone de beauvoir. el pensamiento a traves de la practica literarias. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Millan Mu\u00f1io M. Angeles <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Zaragoza<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Nieves Ibeas Vuelta<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Alicia Yllera Fernandez <\/li>\n<li> Garcia Larra\u00f1aga M. Asuncion (vocal)<\/li>\n<li>Marta Segarra Montaner (vocal)<\/li>\n<li> Valero Gancedo M. Asuncion (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Millan Mu\u00f1io M. Angeles El discurso de la masculinidad en la narrativa de simone de beauvoir constituye [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,628,13610],"tags":[1780,95986,95987,95984,95985,95988],"class_list":["post-36192","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-teoria-analisis-y-critica-literarios","category-zaragoza","tag-alicia-yllera-fernandez","tag-garcia-larranaga-m-asuncion","tag-marta-segarra-montaner","tag-millan-munio-m-angeles","tag-nieves-ibeas-vuelta","tag-valero-gancedo-m-asuncion"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/36192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=36192"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/36192\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=36192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=36192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=36192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}