{"id":36528,"date":"1998-01-01T00:00:00","date_gmt":"1998-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/musica-y-pintura-la-estetica-wagneriana-en-espana-madrid-1890-1915\/"},"modified":"1998-01-01T00:00:00","modified_gmt":"1998-01-01T00:00:00","slug":"musica-y-pintura-la-estetica-wagneriana-en-espana-madrid-1890-1915","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/musica-y-pintura-la-estetica-wagneriana-en-espana-madrid-1890-1915\/","title":{"rendered":"Musica y pintura. la estetica wagneriana en espa\u00f1a. Madrid, 1890-1915."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Carmena De La Cruz C. Patricia <\/strong><\/h2>\n<p>En el siglo xix se produce un cambio fundamental en la jerarqu\u00eda de las artes encabezada ahora por la m\u00fasica de la que la pintura extraer\u00e1 su nuevo parang\u00f3n. Por ello, la m\u00fasica de moda del compositor alem\u00e1n richard wagner y, sobre todo, sus ideas est\u00e9ticas dadas a conocer a trav\u00e9s de sus escritos, van a influir de manera decisiva en el devenir de las artes durante la segunda mitad de la centuria. Este \u00abfen\u00f3meno wagneriano\u00bb aunque de ra\u00edces germanas va a desarrollarse con mayor intensidad en francia, generadora de toda una mitograf\u00eda en torno al artista y la obra de arte que se difundir\u00e1 a otros territorios europeos. A espa\u00f1a tambi\u00e9n llegar\u00e1 este fen\u00f3meno pero, si bien la m\u00fasica del compositor comienza a ser conocida fragmentariamente desde los sesenta, no ser\u00e1 sino hasta finales de siglo cuando podamos hablar de un fen\u00f3meno ya asentado en nuestro territorio y que seguimos a trav\u00e9s de las transformaciones que se acusan en la capital espa\u00f1ola. Entre 1890-1915, se produce esta progresiva ascensi\u00f3n del wagnerismo que corre parejo al del triunfo de la pintura simbolista que se corresponde con el ideal de \u00abpintura an\u00edmica\u00bb postulado por wyzewa.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Musica y pintura. la estetica wagneriana en espa\u00f1a. Madrid, 1890-1915.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Musica y pintura. la estetica wagneriana en espa\u00f1a. Madrid, 1890-1915. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Carmena De La Cruz C. Patricia <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Carlos Reyero Hermosilla<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Mireia Freixa Serra <\/li>\n<li> Perez Rojas F. Javier (vocal)<\/li>\n<li> Garcia Felguera M. De Los Santos (vocal)<\/li>\n<li>Guillermo Solana D\u00edez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Carmena De La Cruz C. Patricia En el siglo xix se produce un cambio fundamental en la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,7632,2563,222],"tags":[13424,96639,70765,42998,28157,96640],"class_list":["post-36528","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-de-la-musica","category-historia-del-arte-de-los-siglos-xix-y-xx","category-historias-especializadas","tag-carlos-reyero-hermosilla","tag-carmena-de-la-cruz-c-patricia","tag-garcia-felguera-m-de-los-santos","tag-guillermo-solana-diez","tag-mireia-freixa-serra","tag-perez-rojas-f-javier"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/36528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=36528"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/36528\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=36528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=36528"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=36528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}