{"id":36727,"date":"1998-01-01T00:00:00","date_gmt":"1998-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/imagen-y-finitud-formas-de-la-disolucion-en-el-arte\/"},"modified":"1998-01-01T00:00:00","modified_gmt":"1998-01-01T00:00:00","slug":"imagen-y-finitud-formas-de-la-disolucion-en-el-arte","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/imagen-y-finitud-formas-de-la-disolucion-en-el-arte\/","title":{"rendered":"Imagen y finitud. formas de la disolucion en el arte."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Miguel \u00e1ngel Ramos S\u00e1nchez <\/strong><\/h2>\n<p>Tomando como punto de partida la definici\u00f3n sistem\u00e1tica de las artes hegeliana, la tesis desarrolla su fundamental variaci\u00f3n mediante el estudio de la est\u00e9tica del siglo xx, a trav\u00e9s del contraste de su deriva hist\u00f3rica, que desde el romanticismo llega a las teor\u00edas contempor\u00e1neas, elemplificadas en el pensamiento sistem\u00e1tico de los estudios de deleuze sobre el cine; y a trav\u00e9s de la justificaci\u00f3n de un par\u00e1metro fundamental y novedoso dentro del pensamiento art\u00edstico, que caracteriza el giro est\u00e9tico y filos\u00f3fico de las primeras vanguardias: la disoluci\u00f3n, como caracter\u00edstica central del arte que se construye negando sus posibilidades espec\u00edficas, derivando hacia formulaciones contradictorias o mezcl\u00e1ndose sin l\u00edmites definibles. La tesis se articula en cap\u00edtulos que desarrollan cada forma rom\u00e1ntica de separaci\u00f3n gen\u00e9rica del sistema de las artes (arquitectura, escultura, pintura, literatura, m\u00fasica), a la que se a\u00f1ade las artes cin\u00e9ticas e infogr\u00e1ficas, caracter\u00edsticas de la est\u00e9tica contempor\u00e1nea. para ello se analiza tem\u00e1ticamente el tema est\u00e9tico de la distancia, como base te\u00f3rica para toda divisi\u00f3n. En cada cap\u00edtulo se analiza la especificidad de la separaci\u00f3n entre cada uno de estos lenguajes art\u00edsticos, para culminar en un an\u00e1lisis concreto de tres obras, con las que se represente la deriva hist\u00f3rica referida, desde la perspectiva cl\u00e1sico-rom\u00e1ntica a la contempor\u00e1nea, definiendo la disoluci\u00f3n, la forma de la negatividad como germen rom\u00e1ntico que se desarrolla virulentamente en nuestro siglo..<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Imagen y finitud. formas de la disolucion en el arte.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Imagen y finitud. formas de la disolucion en el arte. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Miguel \u00e1ngel Ramos S\u00e1nchez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jose Jimenez Jimenez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: javier Pereda <\/li>\n<li>Luis Molinero jose (vocal)<\/li>\n<li>Jorge Perez de tudela velasco (vocal)<\/li>\n<li>Juan  Jos\u00e9 Gomez molina (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Miguel \u00e1ngel Ramos S\u00e1nchez Tomando como punto de partida la definici\u00f3n sistem\u00e1tica de las artes hegeliana, la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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