{"id":37206,"date":"1998-01-01T00:00:00","date_gmt":"1998-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/museos-y-centros-de-arte-contemporaneo-en-espana\/"},"modified":"1998-01-01T00:00:00","modified_gmt":"1998-01-01T00:00:00","slug":"museos-y-centros-de-arte-contemporaneo-en-espana","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/museos-y-centros-de-arte-contemporaneo-en-espana\/","title":{"rendered":"Museos y centros de arte contemporaneo en espa\u00f1a."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Layuno Rosas M. Angeles <\/strong><\/h2>\n<p>La tesis contempla la evoluci\u00f3n de la arquitectura de museos en espa\u00f1a aplicada a una tem\u00e1tica concreta: el arte contempor\u00e1neo. En este recorrido -que abarca aproximadamente un siglo- se analizan e interpretan las diversas propuestas que van apareciendo, consideradas dentro del contexto de la arquitectura en general de cada etapa, de la evoluci\u00f3n de las teor\u00edas museogr\u00e1ficas y del concepto de museo, tomando como referente la situaci\u00f3n de la arquitectura de museos internacional. Una historia que en nuestro caso, aparece marcada m\u00e1s por las propuestas y proyectos te\u00f3ricos que por las realiaciones, hasta aproximadamente mediados de la d\u00e9cada de los 70, en que se produce una equiparaci\u00f3n con el resto de pa\u00edses occidentales en este terreno. Al texto de la tesis se a\u00f1ade un cat\u00e1logo de museos y centros de arte moderno\/contempor\u00e1neo actualmente en funcionamiento en nuestro pa\u00eds.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Museos y centros de arte contemporaneo en espa\u00f1a.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Museos y centros de arte contemporaneo en espa\u00f1a. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Layuno Rosas M. Angeles <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Nacional de educaci\u00f3n a distancia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Delf\u00edn Rodr\u00edguez Ruiz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Victor Nieto Alcaide <\/li>\n<li>Valeriano Bozal Fern\u00e1ndez (vocal)<\/li>\n<li>Simon Marchan Fiz (vocal)<\/li>\n<li>Jos\u00e9 Mar\u00eda Montaner Martorell (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Layuno Rosas M. Angeles La tesis contempla la evoluci\u00f3n de la arquitectura de museos en espa\u00f1a aplicada [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1014,222,17070],"tags":[6807,15725,97784,5790,14283,14793],"class_list":["post-37206","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte","category-historias-especializadas","category-nacional-de-educacion-a-distancia","tag-delfin-rodriguez-ruiz","tag-jose-maria-montaner-martorell","tag-layuno-rosas-m-angeles","tag-simon-marchan-fiz","tag-valeriano-bozal-fernandez","tag-victor-nieto-alcaide"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/37206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=37206"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/37206\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=37206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=37206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=37206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}