{"id":37879,"date":"2018-03-09T09:37:12","date_gmt":"2018-03-09T09:37:12","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-doble-elements-per-a-una-panoramica-historica\/"},"modified":"2018-03-09T09:37:12","modified_gmt":"2018-03-09T09:37:12","slug":"el-doble-elements-per-a-una-panoramica-historica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-doble-elements-per-a-una-panoramica-historica\/","title":{"rendered":"El doble: elements per a una panoramica historica."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Eduard Vilella Morat\u00f3 <\/strong><\/h2>\n<p>Lo que se da en llamar \u00abtema del doble\u00bb ofrece un complejo campo de estudio, sea por lo numeroso de sus apariciones, en los mas variados momentos y las m\u00e1s diversas culturas, y por la condici\u00f3n proteiforme de tales manifestaciones, sea por la cantidad ingente y muchas veces inconexa de bibliograf\u00eda al respecto.  partiendo del an\u00e1lisis de \u00e9sta, la tesis se propone en un primer momento dibujar las l\u00edneas maestras de lo que es el contenido \u00abimplicito\u00bb del \u00abdoble\u00bb, mostrando los conflictos conceptuales y las limitaciones distorsionadoras que genera: proyectar una imagen t\u00f3pica, vaga y reductiva sobre un campo tem\u00e1tico vastisimo y de alt\u00edsima complejidad, el de un substancialismo a hist\u00f3rico; el de la obsesi\u00f3n taxon\u00f3mica. Puntos fundamentales son la universalidad arquet\u00edpica del fondo tem\u00e1tico (con todo su \u00absignificado tradicional\u00bb) y el proceso de condensaci\u00f3n que \u00e9ste sufre en el s. Xix (una fractura hist\u00f3rica decisiva que tiene lugar en el per\u00edodo que lleva del doppelganger rom\u00e1ntico a la radical modificaci\u00f3n de paradigma que es el psicoan\u00e1lisis, de cuya incidencia en lo concreto del tema informan los ya casi lugares comunes unhetmliche, wiederholungszwang y schaten, autre). Tal proceso llevar\u00eda a una configuraci\u00f3n tipificada (la \u00abcanonizaci\u00f3n\u00bb del tema) que opera retroactivamente en nuestra perspectiva cr\u00edtica. Ante estos condicionantes, el trabajo reh\u00faye el inmobilismo taxon\u00f3mico y se propone din\u00e1mico y complejo (respuesta a la condici\u00f3n hist\u00f3rica de la materia estudiada y del cr\u00edtico: la referencia es el blumenberg de arbeit am mythos). De ah\u00ed que su n\u00facleo conceptual sea la panor\u00e1mica hist\u00f3rica de la representaci\u00f3n del doble &#8211; o bien de la elaboraci\u00f3n de la constelaci\u00f3n tem\u00e1tica del doble. Directrices hermen\u00e9uticas que se concretan en el comentario a textos situados antes y despu\u00e9s del proceso de canonizaci\u00f3n: partes ii (c. De troyes, livre de lancelot) y iii (narrativa moderna \/ posmode<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El doble: elements per a una panoramica historica.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El doble: elements per a una panoramica historica. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Eduard Vilella Morat\u00f3 <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 30\/01\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Victoria Cirlot Valenzuela<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: jordi Llovet <\/li>\n<li>luigi Milone (vocal)<\/li>\n<li>francesco Zamb\u00f3n (vocal)<\/li>\n<li>rossend Arqu\u00e9s corominas (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Eduard Vilella Morat\u00f3 Lo que se da en llamar \u00abtema del doble\u00bb ofrece un complejo campo de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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