{"id":38111,"date":"2018-03-09T09:37:31","date_gmt":"2018-03-09T09:37:31","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/en-el-corazon-de-las-tinieblas-el-proceso-de-produccion-del-film-noir-en-la-rko\/"},"modified":"2018-03-09T09:37:31","modified_gmt":"2018-03-09T09:37:31","slug":"en-el-corazon-de-las-tinieblas-el-proceso-de-produccion-del-film-noir-en-la-rko","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/en-el-corazon-de-las-tinieblas-el-proceso-de-produccion-del-film-noir-en-la-rko\/","title":{"rendered":"En el corazon de las tinieblas. el proceso de produccion del film noir en la rko."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Gonzalo Paves Borges <\/strong><\/h2>\n<p>La tesis \u00aben el coraz\u00f3n de las tinieblas. El proceso de producci\u00f3n del film noir en la rko\u00bb plantea en cinco cap\u00edtulos una aproximaci\u00f3n a las pel\u00edculas producidas por la compa\u00f1\u00eda norteamericana rko cuya tem\u00e1tica y tratamiento formal se adscribe al llamado cine negro. para ello, se analizan varios aspectos del asunto tras una intensa b\u00fasqueda de archivos como el de la universidad del sur de california, el de la universidad de california-los angeles, el del american film institute, o, entre otros m\u00e1s, el de la academia de las artes y las ciencias cinematogr\u00e1ficas. se estudian las vicisitudes de producci\u00f3n de las pel\u00edculas, las fases de rodaje y los cambios en el gui\u00f3n o en los personajes que intervinieron en aquellos films, la intervenci\u00f3n de los aparatos de censura, etc. Todo el conjunto de an\u00e1lisis conducen a una reflexi\u00f3n sobre el concepto del film noir, sobre su condici\u00f3n de g\u00e9nero cinematogr\u00e1fico o movimiento cultural, y a la adscripci\u00f3n o no de los films de la rko convencionalmente integrados en el cine negro en esa condici\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>En el corazon de las tinieblas. el proceso de produccion del film noir en la rko.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 En el corazon de las tinieblas. el proceso de produccion del film noir en la rko. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Gonzalo Paves Borges <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 La laguna<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 30\/04\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Martin Rodriguez Fernando Gabriel<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: roman Gubern garriga-nogu\u00e9s <\/li>\n<li>Jos\u00e9 \u00e1ngel Rodr\u00edguez mart\u00edn (vocal)<\/li>\n<li>b. Jewell richard (vocal)<\/li>\n<li> Mc mahon waters marie p. (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gonzalo Paves Borges La tesis \u00aben el coraz\u00f3n de las tinieblas. El proceso de producci\u00f3n del film [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,5547,104,1014,222,9915,1111],"tags":[99281,99280,10203,10447,99282,36703],"class_list":["post-38111","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-historia","category-historia-del-arte","category-historias-especializadas","category-la-laguna","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-b-jewell-richard","tag-gonzalo-paves-borges","tag-jose-angel-rodriguez-martin","tag-martin-rodriguez-fernando-gabriel","tag-mc-mahon-waters-marie-p","tag-roman-gubern-garriga-nogues"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/38111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=38111"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/38111\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=38111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=38111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=38111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}