{"id":38434,"date":"2018-03-09T09:37:59","date_gmt":"2018-03-09T09:37:59","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/manuel-scorza-un-mundo-de-ficcion\/"},"modified":"2018-03-09T09:37:59","modified_gmt":"2018-03-09T09:37:59","slug":"manuel-scorza-un-mundo-de-ficcion","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/manuel-scorza-un-mundo-de-ficcion\/","title":{"rendered":"Manuel scorza, un mundo de ficcion."},"content":{"rendered":"<h2>Tesis doctoral de <strong> D\u00fania Gras Miravet <\/strong><\/h2>\n<p>Construir un mundo de ficci\u00f3n, con entidad propia paralela a la realidad, creando un espacio propio, con una normativa tambi\u00e9n aut\u00f3noma, es uno de los sue\u00f1os de cualquier escritor y la base misma de la ficcionalidad. Crear un mundo posible literario depende, en gran medida, no s\u00f3lo de las correspondencias que puedan establecerse entre realidad y ficci\u00f3n, sino de la capacidad de interrelacionar los elementos textuales de tal forma que tejan un entramado que constituya, a partir de la autopreferencialidad, un marco referencial discursivo propio. No obstante, su capacidad comunicativa depende no s\u00f3lo de la capacidad narrativa del escritor, sino, en muchas ocasiones de factores aparentemente externos, como pueden ser su poder de persuasi\u00f3n y de convencimiento en el pacto que el autor establece de forma m\u00e1s o menos t\u00e1cita con el lector de esta relaci\u00f3n comunicativa entre autor y lector se deriva la diversa recepci\u00f3n que pueda alcanzar una obra literaria. Para tratar estas cuestiones se ha tomado como ejemplo la obra literaria del escritor peruano manuel scorza (1928-1983).<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Manuel scorza, un mundo de ficcion.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Manuel scorza, un mundo de ficcion. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 D\u00fania Gras Miravet <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 13\/07\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Joaquin Marco Revilla<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: teodosio Fernandez <\/li>\n<li>jordi Pericot canaleta (vocal)<\/li>\n<li>helena Usandizaga lleonart (vocal)<\/li>\n<li>jordi Llovet (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de D\u00fania Gras Miravet Construir un mundo de ficci\u00f3n, con entidad propia paralela a la realidad, creando un [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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