{"id":38843,"date":"2018-03-09T09:38:36","date_gmt":"2018-03-09T09:38:36","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/los-fandangos-del-sur-conceptualizacion-estructuras-sonoras-analisis-cultural\/"},"modified":"2018-03-09T09:38:36","modified_gmt":"2018-03-09T09:38:36","slug":"los-fandangos-del-sur-conceptualizacion-estructuras-sonoras-analisis-cultural","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/los-fandangos-del-sur-conceptualizacion-estructuras-sonoras-analisis-cultural\/","title":{"rendered":"Los fandangos del sur: conceptualizacion, estructuras sonoras, analisis cultural."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Miguel Angel Berlanga Fernandez <\/strong><\/h2>\n<p>Captulo i: teor\u00eda y metodolog\u00eda usada. Modelo interpretativo de thimothy rice (corregido), manejo de fuentes orales, grabaciones musicales y fuentes escritas. Concepto de etnomusicolog\u00eda hist\u00f3rica de k. Shelemai.  captulo ii: estudio del t\u00e9rmino \u00abfandango\u00bb. Propuesta de redefinici\u00f3n. Estado de la cuesti\u00f3n.  captulo iii: estudio de an\u00e1lisis musical de los fandangos verdiales, fandangos flamencos y fandangos de huelva.  captulo iv: an\u00e1lisis cultural:  a) evoluci\u00f3n cultural de los fandangos desde el siglo xix al xx.  b) los fandangos \u00aburbanos\u00bb, en el siglo xx: la \u00abfiesta\u00bb de m\u00e1laga y su implantaci\u00f3n en la ciudad.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Los fandangos del sur: conceptualizacion, estructuras sonoras, analisis cultural.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Los fandangos del sur: conceptualizacion, estructuras sonoras, analisis cultural. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Miguel Angel Berlanga Fernandez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 20\/11\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ramon Pelinski<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: concepci\u00f3n Fern\u00e1ndez vivas <\/li>\n<li>gerhard Steingress (vocal)<\/li>\n<li>Antonio Gomez jose (vocal)<\/li>\n<li>josep Martines perez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Miguel Angel Berlanga Fernandez Captulo i: teor\u00eda y metodolog\u00eda usada. Modelo interpretativo de thimothy rice (corregido), manejo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,104,222,9132],"tags":[12538,27840,100530,8293,38489,48463],"class_list":["post-38843","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-historia","category-historias-especializadas","category-musica-y-musicologia","tag-antonio-gomez-jose","tag-concepcion-fernandez-vivas","tag-gerhard-steingress","tag-josep-martines-perez","tag-miguel-angel-berlanga-fernandez","tag-ramon-pelinski"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/38843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=38843"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/38843\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=38843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=38843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=38843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}