{"id":39046,"date":"2018-03-09T09:38:57","date_gmt":"2018-03-09T09:38:57","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-retablo-de-la-avaricia-de-valle-inclan-y-la-tradicion-satirica\/"},"modified":"2018-03-09T09:38:57","modified_gmt":"2018-03-09T09:38:57","slug":"el-retablo-de-la-avaricia-de-valle-inclan-y-la-tradicion-satirica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-retablo-de-la-avaricia-de-valle-inclan-y-la-tradicion-satirica\/","title":{"rendered":"El \u00abretablo de la avaricia&#8230;\u00bb de valle-inclan y la tradicion satirica"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Unvelina Perdomo Montelongo <\/strong><\/h2>\n<p>Este trabajo estudia el retablo a la luz de la tradici\u00f3n satirica, en especial de la menipea. La teoria que orienta el estudio es la estetica literaria historica de mijail bajtin. Comprender la tradici\u00f3n satirica renovada en el retablo permite valorar la dimensi\u00f3n que alcaza la s\u00e1tira en la estetica de valle. La tesis se estructura en tres capitulos. El primero consiste en un estudio de la s\u00e1tira antigua, con especial atenci\u00f3n a las diferencias de la s\u00e1tira menipea con la satiraformal. El segundo capitulo relaciona las piezas del retablo con la tradicion menipea, merecen particular consideracion las dos formas artisticas de confrontacion que constituyen la arquitectura del retablo: la parodia y el grotesco. El capitulo tercero trata la satira moderna, primeramente se analizan la afinidades del retablo con otras obras satiricas de valle, luego se situa esta producci\u00f3n en el contexto satirico europeo. El objetivo es mostrar la evoluci\u00f3n de la satira moderna y formular su esencia, especificamente en el retablo y en el conjunto de la obra de valle-inclan.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El \u00abretablo de la avaricia&#8230;\u00bb de valle-inclan y la tradicion satirica<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El \u00abretablo de la avaricia&#8230;\u00bb de valle-inclan y la tradicion satirica <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Unvelina Perdomo Montelongo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 19\/12\/1998<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Aznar Soler<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jes\u00fas Rubio jim\u00e9nez <\/li>\n<li>Juan Rodriguez rodriguez (vocal)<\/li>\n<li>jean-marie Lavaud (vocal)<\/li>\n<li>alejandro P\u00e9rez vidal (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Unvelina Perdomo Montelongo Este trabajo estudia el retablo a la luz de la tradici\u00f3n satirica, en especial [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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