{"id":39260,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-poetica-silva-edicion-y-estudio\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"la-poetica-silva-edicion-y-estudio","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-poetica-silva-edicion-y-estudio\/","title":{"rendered":"La poetica silva, edicion y estudio."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda  Inmaculada Osuna Rodriguez <\/strong><\/h2>\n<p>La po\u00e9tica silva (r,m. 6.898, real academia de la lengua) es el principal testimonio de la actividad de la academia de granada y, por ello, pieza esencial para la reconstrucci\u00f3n del panorama po\u00e9tico antequeranogranadino en la transici\u00f3n de los siglos xvi y xvii. recoge poemas atribuidos a agust\u00edn de tejada, pedro rodr\u00edguez de ardila, gregorio morillo, gutierre lobo, andr\u00e9s del pozo, juan montero, juan de arjona, luis de bavia, francisco de far\u00eda, antonio mira de amescua, pedro de c\u00e1ceres, el conde de salinas y pedro de granada venegas; entre los poemas an\u00f3nimos tambi\u00e9n hay algunos cuya autor\u00eda puede adscribirse a lope de vega, g\u00f3ngora, lupercio leonardo de argensola y francisco de castroverde. Su contenido muestra notable variedad tem\u00e1tica: poemas con elementos mitol\u00f3gicos que forman un ciclo de inspiraci\u00f3n cosmog\u00f3nica, poes\u00eda amorosa (con algunas traducciones de camoens y de poetas italianos), religiosa, moral, de circunstancias y sat\u00edrica; y diversidad m\u00e9trica: octavas y tercetos en poemas extensos (entre ellos, los llamados silvas), canciones, sonetos, estrofas aliradas, d\u00e9cimas, romances y otros metros octosil\u00e1bicos. Pero tambi\u00e9n presenta cierta coherencia dispositiva y una notable cohesi\u00f3n estil\u00edstica, presidida por el af\u00e1n cultista y la inclinaci\u00f3n hacia el alarde t\u00e9cnico. se ha realizado una edici\u00f3n de la colecci\u00f3n, con notas textuales y filol\u00f3gicas y un estudio introductorio que aborda la descripci\u00f3n del manuscrito, su relaci\u00f3n con la academia de granada (datos bio-bibliogr\u00e1ficos y problemas relativos al car\u00e1cter acad\u00e9mico de la colecci\u00f3n), el an\u00e1lisis del contenido (disposici\u00f3n del corpus, temas, cauces m\u00e9tricos y caracterizaci\u00f3n estil\u00edstica), los usos gr\u00e1ficos del copista y criterios de edici\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La poetica silva, edicion y estudio.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La poetica silva, edicion y estudio. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda  Inmaculada Osuna Rodriguez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 C\u00f3rdoba<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>P. Ruiz Perez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: angelina Costa palacios <\/li>\n<li> Lopez bueno m. bego\u00f1a (vocal)<\/li>\n<li>gaetano Chiappni (vocal)<\/li>\n<li> Infantes de Miguel victor (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Inmaculada Osuna Rodriguez La po\u00e9tica silva (r,m. 6.898, real academia de la lengua) es el principal [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,973,149,628],"tags":[46673,101280,18222,15518,101278,101279],"class_list":["post-39260","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-cordoba","category-critica-de-textos","category-teoria-analisis-y-critica-literarios","tag-angelina-costa-palacios","tag-gaetano-chiappni","tag-infantes-de-miguel-victor","tag-lopez-bueno-m-begona","tag-maria-inmaculada-osuna-rodriguez","tag-p-ruiz-perez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/39260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=39260"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/39260\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=39260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=39260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=39260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}