{"id":39317,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-influencia-del-cine-en-la-narrativa-de-la-generacion-perdida-el-caso-de-f-scott-fitzgerald\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"la-influencia-del-cine-en-la-narrativa-de-la-generacion-perdida-el-caso-de-f-scott-fitzgerald","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-influencia-del-cine-en-la-narrativa-de-la-generacion-perdida-el-caso-de-f-scott-fitzgerald\/","title":{"rendered":"La influencia del cine en la narrativa de la generacion perdida: el caso de  f. scott fitzgerald."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Fra Lopez Patricia V. <\/strong><\/h2>\n<p>En esta tesis, la doctoranda ha analizado la obra escrita por f. Scott fitzgerald, en particular los aspectos relacionados con el mundo del cine de hollywood. As\u00ed, en el segundo cap\u00edtulo ha tratado las referencias generales al cine en toda la ficci\u00f3n de este escritor anterior a 1937. asimismo, en el cap\u00edtulo 3 se hace una revisi\u00f3n bio-bibliogr\u00e1fica de las vivencias de fitzgerald en hollywood, y asimismo se estudia el gui\u00f3n de \u00abinfidelity\u00bb, uno de los que elabor\u00f3 el escritor entre 1937 y 1940. En el cap\u00edtulo 4 se analizaron una colecci\u00f3n de relatos, the pat hobby stories, sobre la vida de un guionista de cine. Por \u00faltimo, en el cap\u00edtulo 5, se estudi\u00f3 la novela the last tycoon, escrita por este autor sobre el mundo de hollywood. Asimismo se analiz\u00f3 en detalle el gui\u00f3n y la pel\u00edcula basadas en este texto literario, dentro del marco te\u00f3rico de las adaptaciones de textos literarios al cine.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La influencia del cine en la narrativa de la generacion perdida: el caso de  f. scott fitzgerald.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La influencia del cine en la narrativa de la generacion perdida: el caso de  f. scott fitzgerald. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Fra Lopez Patricia V. <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Santiago de compostela<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Dar\u00edo Villanueva Prieto<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Mar\u00eda Bravo gozalo <\/li>\n<li>teresa Fanego lema (vocal)<\/li>\n<li>constante Gonzalez groba (vocal)<\/li>\n<li>angel Luis Hueso monton (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Fra Lopez Patricia V. En esta tesis, la doctoranda ha analizado la obra escrita por f. Scott [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,5547,977,1111,628],"tags":[5804,3245,3159,101382,50481,2440],"class_list":["post-39317","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-santiago-de-compostela","category-teoria-analisis-y-critica-de-las-bellas-artes","category-teoria-analisis-y-critica-literarios","tag-angel-luis-hueso-monton","tag-constante-gonzalez-groba","tag-dario-villanueva-prieto","tag-fra-lopez-patricia-v","tag-jose-maria-bravo-gozalo","tag-teresa-fanego-lema"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/39317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=39317"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/39317\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=39317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=39317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=39317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}