{"id":39321,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/der-turm-de-hofmannsthal-desde-el-concepto-benjaminiano-de-trauerspiel\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"der-turm-de-hofmannsthal-desde-el-concepto-benjaminiano-de-trauerspiel","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/der-turm-de-hofmannsthal-desde-el-concepto-benjaminiano-de-trauerspiel\/","title":{"rendered":"Der turm, de hofmannsthal, desde el concepto benjaminiano de trauerspiel."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Teresa Rocha Barco <\/strong><\/h2>\n<p>Esta tesis tiene dos n\u00facleos tem\u00e1ticos referidos a la influencia del libro de walter benjamin sobre el drama barroco alem\u00e1n en la concepci\u00f3n de la versi\u00f3n definitiva del drama de hofmannsthal \u00abder turm\u00bb:  1. Benjamin como catalizador de las dudas que siempre asaltaron a hofmannstahl acerca de la legitimidad de su propia cosmovisi\u00f3n m\u00e1gico-m\u00edtica, as\u00ed como la posibilidad misma del s\u00edmbolo po\u00e9tico, en cuanto instrumento de compromiso con la historia y de \u00abactuaci\u00f3n espiritual\u00bb.  2. La desintegraci\u00f3n de la forma barroca con la que hofmannsthal pretend\u00eda presentar der turm. El conflicto esencial entre esp\u00edritu y potencia, para as\u00ed poder liberarnos de \u00e9l e iniciar la reconstrucci\u00f3n del espacio espiritual de la naci\u00f3n, tal y como se postula en el discurso de munich. Tambi\u00e9n el libro de benjamin act\u00faa en este caso como catalizador del proceso l\u00f3gico que inevitablemente conduce al trauerspiel y a su ausencia de forma, es decir, a la negaci\u00f3n radical de la utop\u00eda cl\u00e1sica de la \u00abkultur\u00bb.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Der turm, de hofmannsthal, desde el concepto benjaminiano de trauerspiel.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Der turm, de hofmannsthal, desde el concepto benjaminiano de trauerspiel. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Teresa Rocha Barco <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Santiago de compostela<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Carlos Buj\u00e1n L\u00f3pez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Jarauta marion <\/li>\n<li>Miguel angel Vega  cernuda (vocal)<\/li>\n<li>eustaquio Barjau riu (vocal)<\/li>\n<li>helena Cortes gabaudan (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Teresa Rocha Barco Esta tesis tiene dos n\u00facleos tem\u00e1ticos referidos a la influencia del libro de walter [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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