{"id":39474,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estructura-sistema-y-metaestructura-del-flamenco-en-granada\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"estructura-sistema-y-metaestructura-del-flamenco-en-granada","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/estructura-sistema-y-metaestructura-del-flamenco-en-granada\/","title":{"rendered":"Estructura, sistema y metaestructura del flamenco en granada."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Manuel Lorente Rivas <\/strong><\/h2>\n<p>El trabajo presentado responde a las exigencias propias de una tesis doctoral en antropolog\u00eda social y cultural: trabajo de campo prolongado, vaciado de archivos, entrevistas a los actores y an\u00e1lisis estructural de los eventos expresivos y categorizaci\u00f3n antropol\u00f3gica.  el primer cap\u00edtulo, titulado \u00abde lo dicho y hecho\u00bb, organiza y ordena las descripciones extra\u00eddas de las fuentes orales y escritas, teniendo en cuenta las transformaciones observadas en el \u00e1mbito de los valores y significados incoados sobre nuestro tema de estudio. tambi\u00e9n se han realizado conjuntos y secuencias descriptivas de las diferentes modalidades observadas: caf\u00e9s cantantes, concursos, festivales, etc. todo ello en un eje diacr\u00f3nico que abarca los siglos xix y xx.  el segundo cap\u00edtulo est\u00e1 dedicado a los actores; la identidad de \u00e9stos ha sido analizada a trav\u00e9s de las nociones aportadas por e. Goffman: la identidad personal, la identidad social real y la identidad social virtual. Esta categorizaci\u00f3n se apoya en las peque\u00f1as historias de vida que hemos realizado y que nos hacen expl\u00edcita la situaci\u00f3n personal y social inmersa en las diferentes modalidades.  el tercer cap\u00edtulo trata aspectos de la estructura musical, la clasificaci\u00f3n, modalidades, emoci\u00f3n y drama, la dimensi\u00f3n ritual del evento expresivo flamenco, an\u00e1lisis estructural de los comportamientos y simbolismo, contexto y exclusi\u00f3n social, etc.  la conclusi\u00f3n introduce las nociones de reflexividad y entrop\u00eda. A trav\u00e9s de estas nociones se da cuenta de toda la g\u00e9nesis metaestructural del arte flamenco en granada, as\u00ed como de las condiciones en las que se ha desarrollado el trabajo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Estructura, sistema y metaestructura del flamenco en granada.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Estructura, sistema y metaestructura del flamenco en granada. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Manuel Lorente Rivas <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Antonio Gonz\u00e1lez Alcantud<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: carmelo Lison tolosana <\/li>\n<li>Manuel Gonzalez de molina navarro (vocal)<\/li>\n<li>lu\u00eds \u00e1lvarez munarriz (vocal)<\/li>\n<li>Antonio Manly robles (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Manuel Lorente Rivas El trabajo presentado responde a las exigencias propias de una tesis doctoral en antropolog\u00eda [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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