{"id":39509,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/las-filigranas-del-papel-en-los-libros-ilustrados-granadinos-en-el-siglo-xvii\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"las-filigranas-del-papel-en-los-libros-ilustrados-granadinos-en-el-siglo-xvii","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/las-filigranas-del-papel-en-los-libros-ilustrados-granadinos-en-el-siglo-xvii\/","title":{"rendered":"Las filigranas del papel en los libros ilustrados granadinos en el siglo xvii."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Gonzalez Garcia M. Paz <\/strong><\/h2>\n<p>El estudio toma como hilo conductor el an\u00e1lisis de la filigrana del papel en los libros granadinos ilustrados del xvii, para adentrarse en una problem\u00e1tica m\u00e1s amplia y compleja, la del mundo del papel en aquella \u00e9poca.  el tema de investigaci\u00f3n est\u00e1 marcado por una indudable originalidad. En el volumen primero, se marcan las pautas que van a guiar la comprensi\u00f3n de la tesis; el segundo, recoge un rico cat\u00e1logo de libros ilustrados pertenecientes a los fondos de la biblioteca universitaria granadina. De este acervo, la autora del trabajo ha seleccionado un amplio corpus de filigranas, concretamente 343, que ha reproducido dibujadas en los vol\u00famenes iii y iv.  un importante elenco documental, de extraordinaria complejidad complementa y respalda la investigaci\u00f3n.  una cuidada y puesta al d\u00eda selecci\u00f3n bibliogr\u00e1fica y un apartado de conclusiones, completan el organigrama general del trabajo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Las filigranas del papel en los libros ilustrados granadinos en el siglo xvii.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Las filigranas del papel en los libros ilustrados granadinos en el siglo xvii. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Gonzalez Garcia M. Paz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonio Moreno Garrido<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: victor Nieto alcaide <\/li>\n<li> Garrido perez Mar\u00eda  del carmen (vocal)<\/li>\n<li>Manuel Romero tallafigo (vocal)<\/li>\n<li> Gamonal torres Miguel angel (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gonzalez Garcia M. Paz El estudio toma como hilo conductor el an\u00e1lisis de la filigrana del papel [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1014,222],"tags":[35648,80399,101695,101694,26616,14793],"class_list":["post-39509","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte","category-historias-especializadas","tag-antonio-moreno-garrido","tag-gamonal-torres-miguel-angel","tag-garrido-perez-maria-del-carmen","tag-gonzalez-garcia-m-paz","tag-manuel-romero-tallafigo","tag-victor-nieto-alcaide"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/39509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=39509"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/39509\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=39509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=39509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=39509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}