{"id":39538,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-obra-cinematografica-de-cesar-fernandez-ardavin-ruiz\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"la-obra-cinematografica-de-cesar-fernandez-ardavin-ruiz","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-obra-cinematografica-de-cesar-fernandez-ardavin-ruiz\/","title":{"rendered":"La obra cinematografica de cesar fernandez-ardavin ruiz."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Laura Anton Sanchez <\/strong><\/h2>\n<p>Los principales objetivos de esta investigaci\u00f3n han sido, en primer lugar, comprender la labor f\u00edmica, durante un tiempo reconocida para m\u00e1s adelante quedar relegada al olvido, de un profesional del cine espa\u00f1ol; y a trav\u00e9s de este estudio microsc\u00f3pico contribuir a rellenar, en la medida de lo posible, los espacios omitidos por la necesaria perspectiva hist\u00f3rica general.  el inter\u00e9s por delimitar la asimilaci\u00f3n por parte del autor del esquema impuesto por el modo de representaci\u00f3n institucional nos llev\u00f3 a revisar su entorno personal, la formaci\u00f3n de sus aspiraciones en un ambiente art\u00edstico familiar que dejar\u00e1 un profunda huella en su creaci\u00f3n, para despu\u00e9s pasar a analizar su puesta en relaci\u00f3n con el entorno social, expresada en la realizaci\u00f3n de doce largometrajes, en un per\u00edodo comprendido entre 1951 y 1977.  con el fin de entender esta dial\u00e9ctica entre el marco personal y social, se ha mantenido una misma estructura para estudiar sus pel\u00edculas: desde la idea que da pie al proyecto hasta el estreno y la respuesta de la cr\u00edtica y del p\u00fablico. Este desarrollo nos descubre que su pr\u00e1ctica f\u00edlmica atiende a diversos condicionantes comerciales y administrativos, pero tambi\u00e9n est\u00e1 presente la mirada, la huella del director.  las fuentes de informaci\u00f3n manejadas han sido, en su mayor\u00eda, primarias: una serie de entrevistas realizadas al director, guiones literarios y t\u00e9cnicos, entrevistas y cr\u00edticas publicadas, y los expedientes administrativos consultados en el ministerio de cultura; as\u00ed como otro tipo de documentaci\u00f3n facilitada por el autor imprescindible para interpretar su obra.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La obra cinematografica de cesar fernandez-ardavin ruiz.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La obra cinematografica de cesar fernandez-ardavin ruiz. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Laura Anton Sanchez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Garcia Fernandez Emilio Carlos<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Santiago Sanchez gonzalez <\/li>\n<li>Alberto Elena d\u00edaz (vocal)<\/li>\n<li>Juan  Antonio Mart\u00ednez-breton mateos-villegas (vocal)<\/li>\n<li>Luis Alonso garcia (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Laura Anton Sanchez Los principales objetivos de esta investigaci\u00f3n han sido, en primer lugar, comprender la labor [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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