{"id":39873,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/las-ilustraciones-romanticas-literarias-de-las-revistas-y-novelas-publicadas-en-madrid-1830-1850\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"las-ilustraciones-romanticas-literarias-de-las-revistas-y-novelas-publicadas-en-madrid-1830-1850","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/las-ilustraciones-romanticas-literarias-de-las-revistas-y-novelas-publicadas-en-madrid-1830-1850\/","title":{"rendered":"Las ilustraciones romanticas literarias de las revistas y novelas publicadas en Madrid (1830-1850)."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Vicente Galan M. Luisa <\/strong><\/h2>\n<p>Este trabajo de investigaci\u00f3n se desarrolla en torno a un repertorio constitu\u00eddo por 1248 l\u00e1minas fuera de texto, procedentes de 12 revistas y 58 novelas ilustradas, publicadas en Madrid entre 1830-1850, \u00e9poca que responde al esplendor del movimiento rom\u00e1ntico espa\u00f1ol.  se han seleccionado aquellas ilustraciones de car\u00e1cter literario que ilustran cuentos, narraciones, novelas o art\u00edculos y algunas de otros g\u00e9neros por la calidad de sus l\u00e1minas.  la catalogaci\u00f3n de las l\u00e1minas: 161 de las revistas y 1087 de las novelas, origina el estudio y an\u00e1lisis de los aspectos de inter\u00e9s que presentan como manifestaci\u00f3n art\u00edstica. Se entroncan primero, en un contexto hist\u00f3rico, social e ideol\u00f3gico y en el movimiento rom\u00e1ntico. A continuaci\u00f3n se analizan las t\u00e9cnicas en las que est\u00e1n realizadas: xilograf\u00edas, calcograf\u00eda y litograf\u00eda, reflexionando sobre las caracter\u00edsticas de las mismas y su evoluci\u00f3n art\u00edstica, relacionandolo con el desarrollo de las artes gr\u00e1ficas en espa\u00f1a. Seguidamente se analizan las carcter\u00edsticas iconogr\u00e1ficas e iconol\u00f3gicas y su transcendencia desde el punto de vista social y art\u00edstico, como primer recurso socializante de comunicaci\u00f3n de masas, aportaci\u00f3n fundamental que apoy\u00f3 el liberalismo a las clases medias.  se elaboran, por \u00faltimo, dos cat\u00e1logos, uno descriptivo que recoge todos los datos t\u00e9cnicos del repertorio y una catalogaci\u00f3n gr\u00e1fica como documento importante para facilitar la comprensi\u00f3n y el tratamiento discursivo y anal\u00edtico de la investigaci\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Las ilustraciones romanticas literarias de las revistas y novelas publicadas en Madrid (1830-1850).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Las ilustraciones romanticas literarias de las revistas y novelas publicadas en Madrid (1830-1850). <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Vicente Galan M. Luisa <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francisco Calvo Serraller<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Carlos P\u00e9rez reyes <\/li>\n<li>Carlos Reyero hermosilla (vocal)<\/li>\n<li>Jos\u00e9 Alvarez lopera (vocal)<\/li>\n<li>wifredo Rinc\u00f3n Garc\u00eda (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Vicente Galan M. Luisa Este trabajo de investigaci\u00f3n se desarrolla en torno a un repertorio constitu\u00eddo por [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,222],"tags":[5816,13424,5788,5031,102291,42149],"class_list":["post-39873","post","type-post","status-publish","format-standard","hentry","category-historia","category-historias-especializadas","tag-carlos-perez-reyes","tag-carlos-reyero-hermosilla","tag-francisco-calvo-serraller","tag-jose-alvarez-lopera","tag-vicente-galan-m-luisa","tag-wifredo-rincon-garcia"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/39873","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=39873"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/39873\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=39873"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=39873"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=39873"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}