{"id":39888,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-tecnificacion-del-boceto-jardiel-delacamara-y-garcia-benedi\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"la-tecnificacion-del-boceto-jardiel-delacamara-y-garcia-benedi","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-tecnificacion-del-boceto-jardiel-delacamara-y-garcia-benedi\/","title":{"rendered":"La tecnificacion del boceto: jardiel, delacamara y garcia benedi."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Manuel Domingo Castellanos <\/strong><\/h2>\n<p>Se desarrolla el estudio razonado de la incidencia que, la vuelta a la representaci\u00f3n ic\u00f3nica, supuso para las artes pl\u00e1sticas de los a\u00f1os cincuenta. configurando las distintas vertientes que se han agrupado bajo la tendencia denominado \u00abnueva figuracion\u00bb. analizando su incidencia en espa\u00f1a a trav\u00e9s de tres artistas surgidos en las d\u00e9cadas de los cincuenta, sesenta y setenta, que por sus trayectorias art\u00edsticas, condiciones y vivencias, les situan como claros ejemplos del proceso del arte figurativo en nuestro pa\u00eds. Llev\u00e1ndonos a considerar como la fotograf\u00eda -de la que se hace un balance de su conexi\u00f3n con las artes pl\u00e1sticas, antes y despu\u00e9s de su invenci\u00f3n- fue el factor que delimita esta tendencia en el \u00e1mbito del arte figurativo. situ\u00e1ndola, gracias a su doble vertiente de competidora y aliada, como causante de su asunci\u00f3n a la vanguardia en un periodo donde la creaci\u00f3n art\u00edstica pas\u00f3 de un inter\u00e9s, propio de los artistas de la modernidad, por los nuevos materiales, hacia un inquietud desestabilizadora por los nuevos soportes.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La tecnificacion del boceto: jardiel, delacamara y garcia benedi.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La tecnificacion del boceto: jardiel, delacamara y garcia benedi. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Manuel Domingo Castellanos <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Carmen Garrido Sanchez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Gonzalez cuasante Jos\u00e9 Mar\u00eda <\/li>\n<li>eduardo Ib\u00e1\u00f1ez magraner (vocal)<\/li>\n<li>Francisco Ba\u00f1os martos (vocal)<\/li>\n<li>ramon Rodriguez lleras (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Manuel Domingo Castellanos Se desarrolla el estudio razonado de la incidencia que, la vuelta a la representaci\u00f3n [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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