{"id":39908,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/juan-ramon-jimenez-y-robert-frost-tiempo-y-expresion-en-la-escritura-poetica\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"juan-ramon-jimenez-y-robert-frost-tiempo-y-expresion-en-la-escritura-poetica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/juan-ramon-jimenez-y-robert-frost-tiempo-y-expresion-en-la-escritura-poetica\/","title":{"rendered":"Juan ramon jimenez y robert frost: tiempo y expresion en la escritura poetica."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Felix Rodriguez Rodriguez <\/strong><\/h2>\n<p>Este estudio comparativo considera dos maneras divergentes de entender el lenguaje po\u00e9tico y, en relaci\u00f3n con ello, dos distintas perspectivas sobre los fines epistemol\u00f3gicos e ideol\u00f3gicos de la poes\u00eda. de un lado, e ilustrada por la obra del poeta espa\u00f1ol juan ram\u00f3n jim\u00e9nez, la voluntad est\u00e9tica de evolucionar hacia una forma abreviada que suprime aquellos elementos narrativos o descriptivos que alarguen la expresi\u00f3n. Jim\u00e9nez apuesta por un lenguaje simb\u00f3lico que en su brevedad e intemporalidad se adapte al car\u00e1cter inmediato y de presente de la eternidad, fin supremo del poeta ideal e inmanente. El poeta norteamericano robert frost, por su parte, opta por una poes\u00eda de naturaleza aleg\u00f3rica, es decir, narrativa y anecd\u00f3tica, que favorece indefectiblemente la sucesi\u00f3n y linealidad del lenguaje. La consecuente temporalidad l\u00f3gica y discursiva sostiene una postura esc\u00e9ptica y cautelosa acerca del papel trascendente y clarificador de la realidad de la poes\u00eda.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Juan ramon jimenez y robert frost: tiempo y expresion en la escritura poetica.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Juan ramon jimenez y robert frost: tiempo y expresion en la escritura poetica. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Felix Rodriguez Rodriguez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>F\u00e9lix Mart\u00edn Guti\u00e9rrez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: margarita Ardanaz mor\u00e1n <\/li>\n<li>mercedes Bengoechea bartolom\u00e9 (vocal)<\/li>\n<li>Juan  Fernando Galvan reula (vocal)<\/li>\n<li>pablo Zambrano carballo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Felix Rodriguez Rodriguez Este estudio comparativo considera dos maneras divergentes de entender el lenguaje po\u00e9tico y, en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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