{"id":39942,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-graffiti-movement-en-vallecas-historia-estetica-y-sociologia-de-una-subcultura-urbana-1980-1996\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"el-graffiti-movement-en-vallecas-historia-estetica-y-sociologia-de-una-subcultura-urbana-1980-1996","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-graffiti-movement-en-vallecas-historia-estetica-y-sociologia-de-una-subcultura-urbana-1980-1996\/","title":{"rendered":"El graffiti movement en vallecas. historia, estetica y sociolog\u00eda de una subcultura urbana (1980-1996)."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Figueroa Saavedra Ruiz Fernando <\/strong><\/h2>\n<p>El graffiti movement alcanza europa en los a\u00f1os 80 e irrumpe en Madrid a mediados de esta d\u00e9cada, renovando el discurso mural tradicional. dadas las peculiaridades sociales y urban\u00edsticas de sus barrios, se implanta en vallecas temprana y prol\u00edficamente. as\u00ed, vallecas se erige como un excelente exponente para descubrir el particular proceso de introducci\u00f3n y enraizamiento de esta modalidad de graffiti, sus calves conceptuales, organizativas y operativas, su evoluci\u00f3n t\u00e9cnica, formal e iconogr\u00e1fica, las caracter\u00edsticas sociol\u00f3gicas, espaciales y lingu\u00edsticas que envuelven su desarrollo y los factores ex\u00f3genos y end\u00f3genos que modelan esta muestra espont\u00e1nea de la creaci\u00f3n gr\u00e1fica y la manifestaci\u00f3n art\u00edstica populares, al margen del arte institucional.  como base de este estudio, no obstante, se emprende la tarea de encuadrar el graffiti movement vallecano tanto dentro de la propia historia del movimiento, como de una cartograf\u00eda del graffiti como medio de comunicaci\u00f3n no oficial, pero tradicional, y de las grandes corrientes contempor\u00e1neas, tanto grafiteras antiesteticas sociales o est\u00e9tico-musicales.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El graffiti movement en vallecas. historia, estetica y sociolog\u00eda de una subcultura urbana (1980-1996).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El graffiti movement en vallecas. historia, estetica y sociolog\u00eda de una subcultura urbana (1980-1996). <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Figueroa Saavedra Ruiz Fernando <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jaime Brihuega Sierra<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: emma Sanchez monta\u00f1ez <\/li>\n<li>Juan  Antonio Ramirez dominguez (vocal)<\/li>\n<li> Perez sierra m. del carmen (vocal)<\/li>\n<li>Manuel Garcia guatas (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Figueroa Saavedra Ruiz Fernando El graffiti movement alcanza europa en los a\u00f1os 80 e irrumpe en Madrid [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1014,2563,222],"tags":[102401,102400,32473,13422,28798,78219],"class_list":["post-39942","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte","category-historia-del-arte-de-los-siglos-xix-y-xx","category-historias-especializadas","tag-emma-sanchez-montanez","tag-figueroa-saavedra-ruiz-fernando","tag-jaime-brihuega-sierra","tag-juan-antonio-ramirez-dominguez","tag-manuel-garcia-guatas","tag-perez-sierra-m-del-carmen"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/39942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=39942"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/39942\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=39942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=39942"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=39942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}