{"id":39977,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/conceptos-etico-morales-en-el-arte-contemporaneo-de-picasso-hasta-nuestros-dias-verdad-o-falsedad-en-la-obra-de-arte\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"conceptos-etico-morales-en-el-arte-contemporaneo-de-picasso-hasta-nuestros-dias-verdad-o-falsedad-en-la-obra-de-arte","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/conceptos-etico-morales-en-el-arte-contemporaneo-de-picasso-hasta-nuestros-dias-verdad-o-falsedad-en-la-obra-de-arte\/","title":{"rendered":"Conceptos etico-morales en el arte contemporaneo. de picasso hasta nuestros dias. verdad o falsedad en la obra de arte."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Aitor Zubillaga Mu\u00f1oz <\/strong><\/h2>\n<p>Esta tesis constituye un an\u00e1lisis del per\u00edodo comprendido entre el a\u00f1o 1956 fecha de la aparaci\u00f3n de algunos importantes grupos de vanguardia hasta el a\u00f1o 1985. Para lo cual se han empleado fuentes procedentes de los diarios, revistas y otras publicaciones peri\u00f3dicas de la \u00e9poca, tanto espa\u00f1olas como extranjeras. Con la intenci\u00f3n de investigar c\u00f3mo los cambios acontecidos durante este per\u00edodo quedan reflejados en la transformaci\u00f3n de la obra de arte y la postura que el artista defiende sobre sus creencias. As\u00ed como tambi\u00e9n la influencia de otros factores quedan reflejados inevitablemente en la expresi\u00f3n y actitud colectiva e individual de los creadores, marc\u00e1ndose diferencias entre unos y otros.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Conceptos etico-morales en el arte contemporaneo. de picasso hasta nuestros dias. verdad o falsedad en la obra de arte.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Conceptos etico-morales en el arte contemporaneo. de picasso hasta nuestros dias. verdad o falsedad en la obra de arte. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Aitor Zubillaga Mu\u00f1oz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Castrillon Bravo Juan  Manuel<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: rodolfo Conesa bermejo <\/li>\n<li>guillermo Ya\u00f1ez paradela (vocal)<\/li>\n<li>mercedes Replinger gonzalez (vocal)<\/li>\n<li>Francisco Lagares prieto (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Aitor Zubillaga Mu\u00f1oz Esta tesis constituye un an\u00e1lisis del per\u00edodo comprendido entre el a\u00f1o 1956 fecha de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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