{"id":40299,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/acotaciones-escenicas-de-las-obras-de-shakespeare-en-las-traducciones-espanolas-de-macpherson-astrana-y-valverde\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"acotaciones-escenicas-de-las-obras-de-shakespeare-en-las-traducciones-espanolas-de-macpherson-astrana-y-valverde","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/acotaciones-escenicas-de-las-obras-de-shakespeare-en-las-traducciones-espanolas-de-macpherson-astrana-y-valverde\/","title":{"rendered":"Acotaciones escenicas de las obras de shakespeare en las traducciones  espa\u00f1olas de macpherson, astrana y valverde."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Purificacion Sanchez Hernandez <\/strong><\/h2>\n<p>El presente trabajo resalta, por un lado, la importancia de las acotaciones esc\u00e9nicas en la obra teatral de shakespeare y analiza, por otro, c\u00f3mo dichas indicaciones han llegado al p\u00fablico espa\u00f1ol a trav\u00e9s de versiones representativas. Se ha realizado un estudio contrastivo de las traducciones llevadas a cabo por macpherson, astrana y valverde que abarca tanto obras hist\u00f3ricas (richard iii, the second part of henry iv) como tragedias (romeo and juliet, hamiet, king lear, othello), \u00abromance\u00bb (the tempest) y \u00abproblem play\u00bb (troilus and cressida). Las acotaciones no traducidas fielmente se han agrupado en bloques tem\u00e1ticos referidos a movimiento esc\u00e9nico, localizaci\u00f3n, personajes, ruidos, adiciones y omisiones, determin\u00e1ndose en cada caso el posible origen de la modificaci\u00f3n. A este respecto se han considerado aspectos lingu\u00edsticos, contextuales, de tradici\u00f3n esc\u00e9nica y opini\u00f3n de la cr\u00edtica especializada. Para cada traductor se han elaborado unas conclusiones parciales que sirven de base para destacar una notable falta de sistematizaci\u00f3n en las traducciones de algunos t\u00e9rminos, la omisi\u00f3n deliberada de referencias al \u00abupper stage\u00bb y la interpretaci\u00f3n equ\u00edvoca de efectos sonoros. asimismo las conclusiones destacan que las traducciones de las acotaciones por astrana y valverde parecen dirigidas a los lectores de la obra shakesperiana, mientras que las de macpherson parecen dise\u00f1adas para la representaci\u00f3n esc\u00e9nica.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Acotaciones escenicas de las obras de shakespeare en las traducciones  espa\u00f1olas de macpherson, astrana y valverde.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Acotaciones escenicas de las obras de shakespeare en las traducciones  espa\u00f1olas de macpherson, astrana y valverde. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Purificacion Sanchez Hernandez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Murcia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>castellanos Angel Luis Pujante \u00e1lvarez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: aquilino Sanchez perez <\/li>\n<li>Francisco Florit dur\u00e1n (vocal)<\/li>\n<li>clara Calvo lopez (vocal)<\/li>\n<li>Javier Sanchez diez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Purificacion Sanchez Hernandez El presente trabajo resalta, por un lado, la importancia de las acotaciones esc\u00e9nicas en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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