{"id":40377,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-obra-lirica-de-tomas-breton\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"la-obra-lirica-de-tomas-breton","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-obra-lirica-de-tomas-breton\/","title":{"rendered":"La obra lirica de tomas breton."},"content":{"rendered":"<h2>Tesis doctoral de <strong> V\u00edctor S\u00e1nchez S\u00e1nchez <\/strong><\/h2>\n<p>La obra lirica de tom\u00e1s breton (1850-1923), uno de los principales compositores espa\u00f1oles del periodo de la restauraci\u00f3n. Su principal empe\u00f1o fue la creaci\u00f3n de la opera espa\u00f1ola, para el que realiz\u00f3 una serie de nueve operas, dos de ellas en un solo acto, que suponen uno de los corpus mas ambiciosos en este campo entre los compositores espa\u00f1oles de su \u00e9poca. Los amantes de teruel (1889) supuso su consolidaci\u00f3n definitiva, a la que siguieron otras propuestas en lineas muy diversas, como la wagneriana de gar\u00edn (1892), la varista de la dolores (1895), raquel (1900) basada en el famoso drama rom\u00e1ntico, tabar\u00e9 (1913) de ambientaci\u00f3n americana y don gil de las calzas verdes (1914) sobre una comedia de tirso de molina. Paralelamente se acerc\u00f3 de forma desigual a la zarzuela. Su producci\u00f3n, si bien no muy extensa, posee una gran calidad dentro de la variedad de g\u00e9nero que abord\u00f3. En la zarzuela grande realiz\u00f3 diversos intentos, aunque su mayor fama proviene del g\u00e9nero chico, especialmente a raiz de la verbena de la paloma (1894). Para el estudio se ha analizado las partituras originales y se ha contextualizado con fuentes hemerogr\u00e1ficas comntempor\u00e1neas el ambiente en que se representaron.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La obra lirica de tomas breton.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La obra lirica de tomas breton. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 V\u00edctor S\u00e1nchez S\u00e1nchez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Oviedo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ramon Sobrino Sanchez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: emilio Casares rodicio <\/li>\n<li>Luis Gracia iberni (vocal)<\/li>\n<li>francesc Bonastre bertran (vocal)<\/li>\n<li>francesc Cortes mir (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de V\u00edctor S\u00e1nchez S\u00e1nchez La obra lirica de tom\u00e1s breton (1850-1923), uno de los principales compositores espa\u00f1oles del [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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