{"id":40390,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-compositor-manuel-lopez-quiroga\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"el-compositor-manuel-lopez-quiroga","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-compositor-manuel-lopez-quiroga\/","title":{"rendered":"El compositor manuel lopez-quiroga."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Pidal Fernandez M. Angeles <\/strong><\/h2>\n<p>Es un estudio sobre la vida y la producci\u00f3n musical de d. Manuel l\u00f3pez &#8211; quiroga, nacido en sevilla en 1899 y fallecido en Madrid en 1988.  a lo largo de su dilatada existencia, l\u00f3pez &#8211; quiroga firm\u00f3 2.270 n\u00fameros musicales. Algunos de estos n\u00fameros fueron incluidos en g\u00e9neros l\u00edricos muy diversos: zarzuelas, sainetes, revistas, fantas\u00edas, romances l\u00edricos, etc&#8230; Otros formaron parte de las bandas sonoras de numerosos largometrajes y cortometrajes.  la extensa producci\u00f3n de manuel l\u00f3pez-quiroga se completa, adem\u00e1s con piezas breves badas en el folklore espa\u00f1o., m\u00fasica orquestal, sinfon\u00edas publicitarias y ballets.  adem\u00e1s de compositor, l\u00f3pez &#8211; quiroga fue arreglista, pianista acompa\u00f1ante, profesor y director.  en esta tesis doctoral se analizan todas las facetas y se estudian y concretan las obras particularmente significativas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El compositor manuel lopez-quiroga.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El compositor manuel lopez-quiroga. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Pidal Fernandez M. Angeles <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Oviedo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ramon Sobrino Sanchez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: emilio Casares rodicio <\/li>\n<li>xos\u00e9 Avi\u00f1oa p\u00e9rez (vocal)<\/li>\n<li>Jos\u00e9 Lopez calo (vocal)<\/li>\n<li>celsa Alonso gonzalez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Pidal Fernandez M. Angeles Es un estudio sobre la vida y la producci\u00f3n musical de d. Manuel [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[954,147,104,7632,1014,222,9132,8846,1111],"tags":[12739,7634,7636,103115,13805,20232],"class_list":["post-40390","post","type-post","status-publish","format-standard","hentry","category-biografias","category-ciencias-de-las-artes-y-las-letras","category-historia","category-historia-de-la-musica","category-historia-del-arte","category-historias-especializadas","category-musica-y-musicologia","category-oviedo","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-celsa-alonso-gonzalez","tag-emilio-casares-rodicio","tag-jose-lopez-calo","tag-pidal-fernandez-m-angeles","tag-ramon-sobrino-sanchez","tag-xose-avinoa-perez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/40390","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=40390"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/40390\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=40390"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=40390"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=40390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}