{"id":4041,"date":"1994-01-01T00:00:00","date_gmt":"1994-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1994\/01\/01\/fernand-khnopff-el-simbolismo-oculto-la-materia-fotografica-y-el-ideal-rosacruz\/"},"modified":"1994-01-01T00:00:00","modified_gmt":"1994-01-01T00:00:00","slug":"fernand-khnopff-el-simbolismo-oculto-la-materia-fotografica-y-el-ideal-rosacruz","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/fernand-khnopff-el-simbolismo-oculto-la-materia-fotografica-y-el-ideal-rosacruz\/","title":{"rendered":"Fernand khnopff: el simbolismo oculto, la materia fotografica y el \u00abideal\u00bb rosa+cruz."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Lu\u00eds Armand Buend\u00eda <\/strong><\/h2>\n<p>El pintor flamenco khnopff (1858-1921) es uno de los representantes mas significativos de la gran corriente idealista que impregna a europa en las postrimerias del siglo xix, fundador del grupo bruselense de los xx, y preocupado como tal por la renovacion de las artes utiles o inutiles khnopff es tambien el portavoz ejemplar de ese proyecto estetico absoluto que vino a proponer el critico y literato decadentista josephin peladan (sar), a traves de su orden de la rosa+cruz, catolica, del templo y del graal.  La  praxis artistica de khnopff muestra una relacion peculiar con la fotografia, base documental o principio de seriacion, que abunda en el culto al recuerdo y la readecuacion de una particular mitolog\u00eda.  el idealismo naturalista de khnopff, su tecnica de montaje compositivo, y, en fin, la economia de la simbolizacion, vendrian a corresponderse con las tesis de peladan, asi como sus imagenes ilustrarian magistralmente, la metafisica estetica de la orden ocultista, precisamente por el caracter romantico de esta ultima.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Fernand khnopff: el simbolismo oculto, la materia fotografica y el \u00abideal\u00bb rosa+cruz.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Fernand khnopff: el simbolismo oculto, la materia fotografica y el \u00abideal\u00bb rosa+cruz. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Lu\u00eds Armand Buend\u00eda <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1994<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Yturralde Lopez Jos\u00e9 M.<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel Quilez Bach <\/li>\n<li>Joaqu\u00edn Ald\u00e1s Ruiz (vocal)<\/li>\n<li>Ignacio Oliva Mompe\u00e1n (vocal)<\/li>\n<li> Beguiristain Alcorta M. Teresa (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Lu\u00eds Armand Buend\u00eda El pintor flamenco khnopff (1858-1921) es uno de los representantes mas significativos de la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,5270,3806,16820,1111],"tags":[16841,16840,16839,16836,16838,16837],"class_list":["post-4041","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-fotografia","category-pintura","category-politecnica-de-valencia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-beguiristain-alcorta-m-teresa","tag-ignacio-oliva-mompean","tag-joaquin-aldas-ruiz","tag-luis-armand-buendia","tag-miguel-quilez-bach","tag-yturralde-lopez-jose-m"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/4041","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=4041"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/4041\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=4041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=4041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=4041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}