{"id":40562,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/aproximacion-a-la-obra-poetica-de-eugenio-de-nora\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"aproximacion-a-la-obra-poetica-de-eugenio-de-nora","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/aproximacion-a-la-obra-poetica-de-eugenio-de-nora\/","title":{"rendered":"Aproximacion a la obra poetica de eugenio de nora."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Garcia Mendez M. Jes\u00fas <\/strong><\/h2>\n<p>En esta tesis se aborda, sistem\u00e1ticamente, el estudio de la obra po\u00e9tica de eugenio de nora (n. 1923), desde una doble perspectiva: la que atiende a los contenidos y la que se centra en las particularidades expresivas del autor. De ah\u00ed los seis cap\u00edtulos de que consta el trabajo-dedicado, cada uno de ellos, a un poemario de nora presenten una estructura dual. en efecto, la primera parte del cap\u00edtulo ahonda en la reflexi\u00f3n del poeta sobre temas medulares (el ejercicio po\u00e9tico, el amor, la espesura existencialista la dimensi\u00f3n hist\u00f3rica, encarnada en lo otro y en los otros), ramificados en subtemas que matizan, muy personalmente, el pensamiento del autor. En la segunda parte, se analiza, con minuciosidad, la lengua po\u00e9tica, siguiendo un esquema r\u00edgido, pero que modula, con acierto, las caracter\u00edsticas peculiares del estilo noreano: l\u00e9xico, morfosintaxis, ritmo, tipolog\u00eda y sem\u00e1ntica de la imagen. Concluye el trabajo con una bibliograf\u00eda bien elaborada y actualizada.#<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Aproximacion a la obra poetica de eugenio de nora.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Aproximacion a la obra poetica de eugenio de nora. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Garcia Mendez M. Jes\u00fas <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Salamanca<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Garcia Nieto Onrubia M. Luisa<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: ricardo Senabre sempere <\/li>\n<li>cesar Real ramos (vocal)<\/li>\n<li>Manuel Ramos ortega (vocal)<\/li>\n<li>Jos\u00e9 enrique Mart\u00ednez fern\u00e1ndez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Garcia Mendez M. Jes\u00fas En esta tesis se aborda, sistem\u00e1ticamente, el estudio de la obra po\u00e9tica de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,2965,9386,628],"tags":[9390,103402,103403,43773,25891,8738],"class_list":["post-40562","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-estilo-y-estetica-literarios","category-salamanca","category-teoria-analisis-y-critica-literarios","tag-cesar-real-ramos","tag-garcia-mendez-m-jesus","tag-garcia-nieto-onrubia-m-luisa","tag-jose-enrique-Martinez-fernandez","tag-manuel-ramos-ortega","tag-ricardo-senabre-sempere"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/40562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=40562"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/40562\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=40562"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=40562"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=40562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}