{"id":4073,"date":"1994-01-01T00:00:00","date_gmt":"1994-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1994\/01\/01\/los-deleites-del-fingidor-contribucion-al-estudio-del-espectador-cinematografico\/"},"modified":"1994-01-01T00:00:00","modified_gmt":"1994-01-01T00:00:00","slug":"los-deleites-del-fingidor-contribucion-al-estudio-del-espectador-cinematografico","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/los-deleites-del-fingidor-contribucion-al-estudio-del-espectador-cinematografico\/","title":{"rendered":"\u00ablos deleites del fingidor\u00bb (contribucion al estudio del espectador cinematografico)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jos\u00e9 Alejandro Montiel Mues <\/strong><\/h2>\n<p>Partiendo de conceptos acu\u00f1ados por la estetica, se investiga la figura del espectador cinematografico como participe muy activo en el funcionamiento del film. Las aberraciones del espacio respecto al modelo de representacion institucional (burch) se demuestran en el analisis de the birth of the nation (griffith 1915). Y respecto al tiempo en el analisis de das kabinett des dr.Caligari (wiene 1919); las implicaciones del \u00abpunto de vista narrativo\u00bb se comprueban en david copperfield (cukor, 1935) y las funciones de la musica, el sonido en general y el referente generico en the nigth of the hunter (laugthon, 1955) los numerosos ejemplos tomados de otros films del periodo clasico (1930-1960) mueven a la conclusion de que la logica narrativa prevalece como estrategia de ficcion sobre la ortodoxia en la creacion de sistemas espacio-temporales verosimiles y ponen en entredicho la idea de un cine de la transparencia historicamente constituido. La ostensibilidad del significante forma parte esencial del cine clasico, modelo narrativo muy versatil cuya piedra angular consiste en una fuerte implicacion emocional del espectador.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00ablos deleites del fingidor\u00bb (contribucion al estudio del espectador cinematografico)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00ablos deleites del fingidor\u00bb (contribucion al estudio del espectador cinematografico) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jos\u00e9 Alejandro Montiel Mues <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1994<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Amalia Martinez Mu\u00f1oz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Juan  Miguel Company Ramon <\/li>\n<li>Jes\u00fas Massip Bonet (vocal)<\/li>\n<li>Jos\u00e9 Manuel Palacio Arranz (vocal)<\/li>\n<li>Mar\u00eda Eulalia Adelantado Mateu (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jos\u00e9 Alejandro Montiel Mues Partiendo de conceptos acu\u00f1ados por la estetica, se investiga la figura del espectador [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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