{"id":40850,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-musica-escenica-en-valencia-1832-1868-del-modelo-del-antiguo-regimen-a-la-organizacion-musical-del-estado-burgues\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"la-musica-escenica-en-valencia-1832-1868-del-modelo-del-antiguo-regimen-a-la-organizacion-musical-del-estado-burgues","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-musica-escenica-en-valencia-1832-1868-del-modelo-del-antiguo-regimen-a-la-organizacion-musical-del-estado-burgues\/","title":{"rendered":"La musica escenica en Valencia: 1832-1868. del modelo del antiguo regimen a la organizacion musical del estado burgues."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Vicente Galbis Lopez <\/strong><\/h2>\n<p>En la tesis se ha tratado de llenar un hueco en la historiografia musical Valenciana que abarca todo el periodo estudiado. Para ello se ha realizado un seguimiento de las actividades l\u00edricas (\u00f3pera y zarzuela) puesto que dicha m\u00fasica refleja y, a su vez, provoca el cambio del modelo musical del antiguo r\u00e9gimen a la organizaci\u00f3n del nuevo estado burgu\u00e9s.  asimismo, se han estudiado los aspectos no musicales que rodearon al g\u00e9nero l\u00edrico en Valencia y que se constituyeron sobre la idea de sociabilidad burguesa. Por otra parte, hemos contextualizado toda esta actividad con los datos existentes sobre otros centros musicales espa\u00f1oles. De esta manera, se han confirmado tendencias generales y se han aportado caracter\u00edsticas propias de la ciudad de Valencia.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La musica escenica en Valencia: 1832-1868. del modelo del antiguo regimen a la organizacion musical del estado burgues.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La musica escenica en Valencia: 1832-1868. del modelo del antiguo regimen a la organizacion musical del estado burgues. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Vicente Galbis Lopez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Emilio Casares Rodicio<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: angel Medina alvarez <\/li>\n<li>celsa Alonso gonzalez (vocal)<\/li>\n<li>asuncion Gomez pintor (vocal)<\/li>\n<li>Manuel Perez gil (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Vicente Galbis Lopez En la tesis se ha tratado de llenar un hueco en la historiografia musical [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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