{"id":40853,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-imagen-religiosa-del-barroco-en-la-diocesis-de-cuenca\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"la-imagen-religiosa-del-barroco-en-la-diocesis-de-cuenca","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-imagen-religiosa-del-barroco-en-la-diocesis-de-cuenca\/","title":{"rendered":"La imagen religiosa del barroco en la diocesis de cuenca."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Lopez De Atalaya Albaladejo Ana M. Cristina <\/strong><\/h2>\n<p>La tesis planteaba el estudio de la imagen religiosa en los siglos xvii y xviii en la antigua di\u00f3cesis de cuenca, espacio homog\u00e9neo en condiciones econ\u00f3micas sociales y de legislaci\u00f3n eclesi\u00e1stica.  partiendo de una triple metodolog\u00eda (archiv\u00edstica, sociol\u00f3gica e iconogr\u00e1fica) pretend\u00eda mostrar el patrimonio art\u00edstico religioso conservado y demostrar cu\u00e1les fueron las devociones m\u00e1s representadas y sus modos m\u00e1s frecuentes de representaci\u00f3n; as\u00ed como el mundo de los comitentes, de los artistas y el control que la iglesia ejerc\u00eda sobre el arte religioso. tambi\u00e9n se demostr\u00f3 el empleo de estampas procedentes de italia y los paises bajos en la g\u00e9nesis del arte barroco conquense.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La imagen religiosa del barroco en la diocesis de cuenca.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La imagen religiosa del barroco en la diocesis de cuenca. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Lopez De Atalaya Albaladejo Ana M. Cristina <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Rafael Garcia Mahiques<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: cristobal Belda navarro <\/li>\n<li> Rokiski lazaro mari luz (vocal)<\/li>\n<li>carmen P\u00e9rez Garc\u00eda (vocal)<\/li>\n<li> Gonzalez de zarate y garcia Jes\u00fas m. (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Lopez De Atalaya Albaladejo Ana M. Cristina La tesis planteaba el estudio de la imagen religiosa en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1014,222],"tags":[97679,4050,103917,103914,103915,103916],"class_list":["post-40853","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte","category-historias-especializadas","tag-carmen-perez-garcia","tag-cristobal-belda-navarro","tag-gonzalez-de-zarate-y-garcia-jesus-m","tag-lopez-de-atalaya-albaladejo-ana-m-cristina","tag-rafael-garcia-mahiques","tag-rokiski-lazaro-mari-luz"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/40853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=40853"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/40853\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=40853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=40853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=40853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}