{"id":40855,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-ilustracion-grafica-y-la-caricatura-en-la-prensa-valenciana-del-siglo-xix\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"la-ilustracion-grafica-y-la-caricatura-en-la-prensa-valenciana-del-siglo-xix","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-ilustracion-grafica-y-la-caricatura-en-la-prensa-valenciana-del-siglo-xix\/","title":{"rendered":"La ilustracion grafica y la caricatura en la prensa Valenciana del siglo xix."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jos\u00e9 Enrique Pelaez Malagon <\/strong><\/h2>\n<p>El objetivo de esta tesis doctoral ha sido el de intentar cubrir un vac\u00edo en la historiograf\u00eda del arte Valenciano: la ilustraci\u00f3n popular fue un tema hasta hace algunos a\u00f1os relegado del mundo acad\u00e9mico, tal y como ocurr\u00eda en el resto de espa\u00f1a. la consecuci\u00f3n de este objetivo se realiz\u00f3 con el desarrollo de la estructura de la tesis: en primer lugar la realizacion de un corpus de unas 500 ilustraciones obtenidas tras el vaciado de toda la prensa Valenciana del siglo xix, vaciado que nos supuso la consulta de m\u00e1s de 700 publicaciones del momento. En segundo lugar, la elaboraci\u00f3n de un estudio-cat\u00e1logo de revistas ilustradas Valencianas (soporte no s\u00f3lo f\u00edsico sino formal e ideol\u00f3gico de las obras) en donde aparec\u00edan \u00e9stas im\u00e1genes. Finalmente se abord\u00f3 una historia de la ilustraci\u00f3n gr\u00e1fica en la prensa Valenciana, desarrollando especialmente una serie de cap\u00edtulos como el del grabado rom\u00e1ntico, el realista, la caricatura pol\u00edtico social, el dibujo de humor, el origen de la ilustraci\u00f3n seriada en Valencia o el estudio de las portadas y de la estampa culta y aleg\u00f3rica. Finalmente incluimos en \u00e9l un breve cat\u00e1logo de los artistas e ilustradores. Destacando las figuras de salustiano asenjo y de folchi (m. Gonz\u00e1lez mart\u00ed) con los que cobra la ilustraci\u00f3n en la prensa Valenciana especial significaci\u00f3n. como complemento a esta tesis se han incluido en la misma una serie de tablas de datos, gr\u00e1ficos y ap\u00e9ndices con el fin de completar la documentaci\u00f3n incluida.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La ilustracion grafica y la caricatura en la prensa Valenciana del siglo xix.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La ilustracion grafica y la caricatura en la prensa Valenciana del siglo xix. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jos\u00e9 Enrique Pelaez Malagon <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Carmen Gracia Beneyto<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: rafael Gil salinas <\/li>\n<li>francesc Fontbona de vallescar (vocal)<\/li>\n<li>pilar Velez vicente (vocal)<\/li>\n<li>valeriano Bozal fern\u00e1ndez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jos\u00e9 Enrique Pelaez Malagon El objetivo de esta tesis doctoral ha sido el de intentar cubrir un [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1014,2563,5812,222],"tags":[12272,5606,103919,103920,73824,14283],"class_list":["post-40855","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte","category-historia-del-arte-de-los-siglos-xix-y-xx","category-historia-del-periodismo","category-historias-especializadas","tag-carmen-gracia-beneyto","tag-francesc-fontbona-de-vallescar","tag-jose-enrique-pelaez-malagon","tag-pilar-velez-vicente","tag-rafael-gil-salinas","tag-valeriano-bozal-fernandez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/40855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=40855"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/40855\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=40855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=40855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=40855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}