{"id":40856,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-escenografia-teatral-en-valencia-durante-el-segundo-tercio-del-siglo-xix\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"la-escenografia-teatral-en-valencia-durante-el-segundo-tercio-del-siglo-xix","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-escenografia-teatral-en-valencia-durante-el-segundo-tercio-del-siglo-xix\/","title":{"rendered":"La escenografia teatral en Valencia durante el segundo tercio del siglo xix."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Pinedo Herrero M. Carmen <\/strong><\/h2>\n<p>La tesis aborda el estudio de los caracteres generales de la escenograf\u00eda del per\u00edodo; el funcionamiento y caracter\u00edsticas de los talleres escenogr\u00e1ficos; los distintos g\u00e9neros teatrales representado en la \u00e9poca y los diversos locales teatrales existentes en Valencia durante los a\u00f1os estudiados. Se atiende tambi\u00e9n a una serie de espect\u00e1culos parateatrales -de car\u00e1cter \u00f3ptico, como la linterna m\u00e1gica, el cosmorama, panorama, etc.; Mec\u00e1nico, como las marionetas o los aut\u00f3matas, o pl\u00e1stico, como los cuadros vivos o los gabinetes de figuras de cera-, estrechamente relacionados con la escenograf\u00eda teatral. Por \u00faltimo, se abordan los aspectos tipol\u00f3gicos que van configurando el nuevo imaginario de la \u00e9poca, y los v\u00ednculos existentes entre la escenograf\u00eda y sus fronteras art\u00edsticas -la arquitectura, permanente o ef\u00edmera; la pintura, la ilustraci\u00f3n gr\u00e1fica, la decoraci\u00f3n de interiores y la jardiner\u00eda-.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La escenografia teatral en Valencia durante el segundo tercio del siglo xix.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La escenografia teatral en Valencia durante el segundo tercio del siglo xix. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Pinedo Herrero M. Carmen <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Joaquin Berchez Gomez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Perez rojas fco. javier <\/li>\n<li>Javier Portus perez (vocal)<\/li>\n<li> Bonet solves victoria e. (vocal)<\/li>\n<li>sagrario Aznar almazan (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Pinedo Herrero M. Carmen La tesis aborda el estudio de los caracteres generales de la escenograf\u00eda del [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,104,1014,2563,222,1110,1111],"tags":[12276,58495,1020,103922,103921,64219],"class_list":["post-40856","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-historia","category-historia-del-arte","category-historia-del-arte-de-los-siglos-xix-y-xx","category-historias-especializadas","category-teatro","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-bonet-solves-victoria-e","tag-javier-portus-perez","tag-joaquin-berchez-gomez","tag-perez-rojas-fco-javier","tag-pinedo-herrero-m-carmen","tag-sagrario-aznar-almazan"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/40856","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=40856"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/40856\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=40856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=40856"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=40856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}