{"id":41407,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-epistola-privada-como-genero-estrategias-de-construccion\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"la-epistola-privada-como-genero-estrategias-de-construccion","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-epistola-privada-como-genero-estrategias-de-construccion\/","title":{"rendered":"La epistola privada como genero: estrategias de construccion."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Meri Torras Franc\u00e9s <\/strong><\/h2>\n<p>La tesis parte de una reflexi\u00f3n desde la teor\u00eda a prop\u00f3sito del estatuto de la autobiograf\u00eda (y del g\u00e9nero epistolar en particular), pregunt\u00e1ndose sobre aspectos como la construcci\u00f3n del sujeto en el discurso o el valor de la experiencia como categor\u00eda de diferencia. en aras de ahondar en esta aproximaci\u00f3n, el segundo cap\u00edtulo realiza una lectura cr\u00edtica de dos cartas autobiogr\u00e1ficas escritas por mujeres: la carta a sor filotea de la cruaz, escrita por sor juana y la autobiograf\u00eda epistolar de gertrudis g\u00f3mez de avellaneda.  el cap\u00edtulo central est\u00e1 destinado a analizar el binomio g\u00e9nero femenino -g\u00e9nero epistolar para demostrar de qu\u00e9 modo se estableci\u00f3 en la modernidad (en la francia de los siglos xvii y xviii) y por qu\u00e9 la carta privada termin\u00f3 defini\u00e9ndose como un g\u00e9nero de g\u00e9nero femenino, sobre qu\u00e9 condicionamientos sociales aconteci\u00f3 y cu\u00e1l fue el papel de la mujer en ello. En el cap\u00edtulo posterior acomete el seguimiento del binomio en la espa\u00f1a de los siglos xviii, xix y xx, dando cuenta de las aplicaciones particulares que sufri\u00f3 en este otro contexto historico-cultural.  todo ello haciendo uso de un planteamiento y un enfoque propios de la filolog\u00eda, la teor\u00eda de la literatura y la literatura comparada que, en el ap\u00e9ndice, abraza otras artes, puesto que en \u00e9l se recogen muestras de la pintura holandesa del xvii donde el motivo de la carta femenina observa un tratamiento plenamente en consonancia con los par\u00e1metros que constituyeron la asimilaci\u00f3n de g\u00e9neros (gero femenino -g\u00e9nero epistolar) en la francia de los salones.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La epistola privada como genero: estrategias de construccion.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La epistola privada como genero: estrategias de construccion. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Meri Torras Franc\u00e9s <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Carme Riera Guilera<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: pere Ballart fernandez <\/li>\n<li>giulia Colaizzi (vocal)<\/li>\n<li>neus Carbonell camos (vocal)<\/li>\n<li>Marta Segarra montaner (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Meri Torras Franc\u00e9s La tesis parte de una reflexi\u00f3n desde la teor\u00eda a prop\u00f3sito del estatuto de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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