{"id":41540,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-repeticion-motivico-tematica-como-principio-formal-de-la-obra-para-plano-solo-de-manuel-de-falla\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"la-repeticion-motivico-tematica-como-principio-formal-de-la-obra-para-plano-solo-de-manuel-de-falla","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-repeticion-motivico-tematica-como-principio-formal-de-la-obra-para-plano-solo-de-manuel-de-falla\/","title":{"rendered":"La repeticion motivico-tematica como principio formal de la obra para plano solo de manuel de falla."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Pedro Gonzalez Casado <\/strong><\/h2>\n<p>Mediante el uso del an\u00e1lisis musical, como herramienta b\u00e1sica de investigaci\u00f3n, se prueba la hip\u00f3tesis que formula la tesis: el desarrollo formal de las obras plan\u00edsticas de manuel de falla se basa en la repetici\u00f3n motivico-tem\u00e1tica. adem\u00e1s, las conclusiones de los an\u00e1lisi musicales se apoyan en numerosos documentos autogr\u00e1fos del maestro gaditano.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La repeticion motivico-tematica como principio formal de la obra para plano solo de manuel de falla.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La repeticion motivico-tematica como principio formal de la obra para plano solo de manuel de falla. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Pedro Gonzalez Casado <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Peris Lacasa<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Fruhbeck de burgos rafael <\/li>\n<li>Jos\u00e9 vicente Gonz\u00e1lez valle (vocal)<\/li>\n<li>carmelo Alonso bernaola (vocal)<\/li>\n<li>jacinto Torres mulas (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Pedro Gonzalez Casado Mediante el uso del an\u00e1lisis musical, como herramienta b\u00e1sica de investigaci\u00f3n, se prueba la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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