{"id":42003,"date":"1999-01-01T00:00:00","date_gmt":"1999-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/eero-saarinen-una-arquitectura-de-la-multiplicidad\/"},"modified":"1999-01-01T00:00:00","modified_gmt":"1999-01-01T00:00:00","slug":"eero-saarinen-una-arquitectura-de-la-multiplicidad","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/eero-saarinen-una-arquitectura-de-la-multiplicidad\/","title":{"rendered":"Eero saarinen: una arquitectura de la multiplicidad."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Antonio Roman Asensio <\/strong><\/h2>\n<p>La tesis aborda una serie de obras del arquitecto norteamericano eero saarinen (1910-61). Para su analisis emplea cinco vertientes que giran en torno a la perspectiva del sujeto. Partiendo de la aparente diversidad de la obra de eero saarinen, la tesis mantenida indaga en c\u00f3mo esa diversidad de resultados adquiere progresivamente raz\u00f3n de ser si tomamos como referencia, adem\u00e1s de la obra, al autor. La diversidad encuentra apoyo en la manera m\u00faltiple con que eero saarinen aborda sus proyectos.  la arquitectura de eero saarinen surge sin presupuestos previos imbu\u00edda por el pragmatismo y el eclecticismo, y puede verse como un referente de la actual diversidad. adem\u00e1s, eero saarinen pertenece a la primera generaci\u00f3n que tiene el movimiento moderno como historia, algo que hoy compartimos, y presenta una especial disidencia respecto a la arquitectura imperante en estados unidos en la postguerra. As\u00ed, eero saarinen explora la condici\u00f3n contempor\u00e1nea de despu\u00e9s-del-movimiento-moderno, con un acercamiento a la obra de eero saarinen a partir de la manera de hacer del autor, las cinco vertientes corresponden a cinco categor\u00edas: crear, habitar, edificar, sociabilizar y juzgar.  los casos de estudio tratados incluyen la terminal trans world airlines, new york (1956-62); ezra stiles y morse colleges de yale university, (1957-62); mobiliario (1940-57); terminal de dulles international airport de wasington dc, (1958-62); jefferson national expansion memorial, saint louis, missouri, (1947-65); general motors technical center, warren, michigan, (1947-56); edificio columbia broadcasting system, new york, (1960-65); implicaci\u00f3n de eero saarinen en el concurso de la sydney opera house, (1957); y la u.S. Embassy en londres, (1955-60). La perspectiva general desde el sujeto y las correspondientes vertientes permiten ver la diversidad de eero saarinen como multiplicidad.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Eero saarinen: una arquitectura de la multiplicidad.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Eero saarinen: una arquitectura de la multiplicidad. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Antonio Roman Asensio <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Sola Morales Rubio Ignacio<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: gabriel Ruiz cabrero <\/li>\n<li>Javier Cernicacelaya mariJuan (vocal)<\/li>\n<li>Juan  Antonio Cortes vazquez de parga (vocal)<\/li>\n<li>Marta Llorente d\u00edaz (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Antonio Roman Asensio La tesis aborda una serie de obras del arquitecto norteamericano eero saarinen (1910-61). Para [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[4509,147,332,12564,16008,15699,4306],"tags":[105993,37417,105995,15918,30484,105994],"class_list":["post-42003","post","type-post","status-publish","format-standard","hentry","category-arquitectura","category-ciencias-de-las-artes-y-las-letras","category-ciencias-tecnologicas","category-diseno-arquitectonico","category-politecnica-de-madrid","category-tecnicas-de-diseno-arquitectonico","category-tecnologia-de-la-construccion","tag-antonio-roman-asensio","tag-gabriel-ruiz-cabrero","tag-javier-cernicacelaya-marijuan","tag-juan-antonio-cortes-vazquez-de-parga","tag-marta-llorente-diaz","tag-sola-morales-rubio-ignacio"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/42003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=42003"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/42003\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=42003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=42003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=42003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}