{"id":42732,"date":"2018-03-09T09:44:44","date_gmt":"2018-03-09T09:44:44","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-ensenanza-de-la-pintura-y-los-pintores-en-la-real-academia-de-bellas-artes-de-san-fernando-de-madrid-en-la-primera-mitad-del-siglo-xix\/"},"modified":"2018-03-09T09:44:44","modified_gmt":"2018-03-09T09:44:44","slug":"la-ensenanza-de-la-pintura-y-los-pintores-en-la-real-academia-de-bellas-artes-de-san-fernando-de-madrid-en-la-primera-mitad-del-siglo-xix","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-ensenanza-de-la-pintura-y-los-pintores-en-la-real-academia-de-bellas-artes-de-san-fernando-de-madrid-en-la-primera-mitad-del-siglo-xix\/","title":{"rendered":"\u00abla ense\u00f1anza de la pintura y los pintores en la real academia de bellas artes de san fernando de Madrid en la primera mitad del siglo xix\u00bb"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Esperanza Navarrete Martinez <\/strong><\/h2>\n<p>Se estudia y analiza pormenorizadamente el tipo de ense\u00f1anza oficial de la pintura, impartida durante casi toda la primera mitad del siglo xix (1801-1844) en la real academia de bellas artes de san fernando de Madrid (que ven\u00eda siendo modelo para el resto del pais desde su constituci\u00f3n en 1752). Contin\u00faa cronologicamente otras investigaciones anteriores basadas principalmente en analisis genericos (claude bedat) o centradas en aspectos principalmente en analisis particulares de la instituci\u00f3n (alicia quintana y andres ubeda). El estudio abarca los siguientes aspectos: aproximaci\u00f3n a la politica estatal en materia de bellas artes, planes de estudio(proyectos, asignaturas, premios, becas,pensiones, etc), estructura interna de la academia (academicos no profesores, academicos profesores, y otros) alumnos, titulaciones, colecciones pictoricas y bibliograficas de apoyo a la ense\u00f1anza(museo y biblioteca de la academia), exposiciones publicas de las obras pictoricas de los propios alumnos y profesores asi como de los fondos de la instituci\u00f3n, formaci\u00f3n del gusto artistico(control sobre la tasaci\u00f3n, producci\u00f3n, exportaci\u00f3n e importaci\u00f3n de pinturas y censura de publicaciones artisticas), etc. se incluye adem\u00e1s, ordenada alfabeticamente, una relacion de auqellas personas(academicos, pintores y alumnos) que, pertenecieron o estuvieron en contacto con la academia en este periodo, recogiendose todos los datos y noticias que existen sobre cada uno de ellos en el archivo de la academia.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00abla ense\u00f1anza de la pintura y los pintores en la real academia de bellas artes de san fernando de Madrid en la primera mitad del siglo xix\u00bb<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abla ense\u00f1anza de la pintura y los pintores en la real academia de bellas artes de san fernando de Madrid en la primera mitad del siglo xix\u00bb <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Esperanza Navarrete Martinez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Nacional de educaci\u00f3n a distancia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 22\/02\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Victor Nieto Alcaide<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 manuel Pita andrade <\/li>\n<li>ignacio Henares cu\u00e9llar (vocal)<\/li>\n<li>Jos\u00e9 enrique Garcia  melero (vocal)<\/li>\n<li>Juan  enrique Arias angles (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Esperanza Navarrete Martinez Se estudia y analiza pormenorizadamente el tipo de ense\u00f1anza oficial de la pintura, impartida [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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