{"id":42848,"date":"2018-03-09T09:44:57","date_gmt":"2018-03-09T09:44:57","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/arte-con-texto-la-escritura-en-el-arte\/"},"modified":"2018-03-09T09:44:57","modified_gmt":"2018-03-09T09:44:57","slug":"arte-con-texto-la-escritura-en-el-arte","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/arte-con-texto-la-escritura-en-el-arte\/","title":{"rendered":"Arte con texto. la escritura en el arte"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Anna Couderc Arranz <\/strong><\/h2>\n<p>Esta tesis analiza las intersecciones, bifuraciones, intercambios y derivaciones entre estos dos medios de representaci\u00f3n fundamentales que son la imagen y la palabra escrita. Relaciona aquellas interacciones que se producen entre lo pl\u00e1stico y lo sem\u00e1ntico a lo largo de la historia y la multitud de estrategias y propuestas conceptuales derivadas de estas. la imbricaci\u00f3n de la escritura como instrumento del arte, coteja y relaciona esas formas individualizadas del arte (abstracto, culto, p\u00fablico, etc) con el pasado y sus fuentes, estableciendo paralelismo entre formas de expresi\u00f3n de otros lenguajes.  la ciencia, la m\u00fasica, el pasado y el presente en su terreno de manifestaciones m\u00e1s amplio: instalaciones, perfomances &#8230; No s\u00f3lo la pintura. As\u00ed pues, si admitimos que los cubistas les serivi\u00f3 paa pintar y para no pintar, con duchamp encontr\u00f3 su rebeli\u00f3n m\u00e1xima: es decir, el lenguaje suple lo est\u00e9tico convirti\u00e9ndolo creativo en formulaci\u00f3n de una idea. El conceptualismo asumir\u00e1 el reto de redefinir la noci\u00f3n de arte a trav\u00e9s del lenguaje de la escritura se expresa la idea como obra, confirmando con ello que la obra es fruto de una intenci\u00f3n. Otras veces la escritura ejerce una tensi\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Arte con texto. la escritura en el arte<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Arte con texto. la escritura en el arte <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Anna Couderc Arranz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 14\/04\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antoni Remesar Betlloch<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Antonio Altarriba ordo\u00f1ez <\/li>\n<li>francesc Fajula pellicer (vocal)<\/li>\n<li>Francisco Orenes navarro (vocal)<\/li>\n<li>Manuel Borja vilell (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Anna Couderc Arranz Esta tesis analiza las intersecciones, bifuraciones, intercambios y derivaciones entre estos dos medios de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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