{"id":42899,"date":"1999-06-05T00:00:00","date_gmt":"1999-06-05T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/hacia-un-arte-transparente-el-problema-del-totalismo-y-el-antitotalismo-en-la-critica-a-la-tradicion-estetica-de-la-modernidad-en-benjamin-y-heidegger\/"},"modified":"1999-06-05T00:00:00","modified_gmt":"1999-06-05T00:00:00","slug":"hacia-un-arte-transparente-el-problema-del-totalismo-y-el-antitotalismo-en-la-critica-a-la-tradicion-estetica-de-la-modernidad-en-benjamin-y-heidegger","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/filosofia\/hacia-un-arte-transparente-el-problema-del-totalismo-y-el-antitotalismo-en-la-critica-a-la-tradicion-estetica-de-la-modernidad-en-benjamin-y-heidegger\/","title":{"rendered":"Hacia un arte transparente. el problema del totalismo y el antitotalismo en la critica a la tradicion estetica de la modernidad en benjamin y heidegger."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jordi Iba\u00f1ez Fanes <\/strong><\/h2>\n<p>Este trabajo compara las respectivas filos\u00f3fias del arte desarrolladas por walter benjamin y martin heidegger a mediados de los a\u00f1os treinta ( y por lo tanto en un momento cr\u00edtico para las vanguardias art\u00edsticas) de las que se desprende una reflexi\u00f3n critica sobre la tradici\u00f3no est\u00e9tica de la modernidad, que esta tesis interpreta conjugando el binomio totalidad\/fragmento. de ellas se deriva una propuesta te\u00f3rica y muy especulativa (por lo tanto en una primera fase de tanteo conceptual) que apuntar\u00eda hacia lo que el autor de esta tesis denomina \u00abun arte transparente\u00bb. Este concepto busca definir un nuevo modo de relaci\u00f3n entre la esfera del arte y el mundo de la vida consistente en un grado de confusi\u00f3n l\u00facida que necesita ante todo desactivar los presupuestos de la est\u00e9tica moderna: fundamentalmente el \u00e9nfasis en la ilusi\u00f3n de totalidad, de vida singularmente intensa que parece transmitir la \u00abexperiencia estetica\u00bb. En buena medida, esta tesis desarrolla, apoy\u00e1ndose en un trabajo de hermen\u00e9utica a partir de los textos sobre el arte de benjamin y heidegger, la ya vieja cr\u00edtica de nietzsche a wagner, cuya vigencia, conformente actualizada con otros autores, considerable a la hora de entender, el arte contemporaneo. Esta tesis refleja tambien un esfuerzo para pensar m\u00e1s all\u00e1 del t\u00f3pico de la muerte del arte, y reflexionar sobre las transformaciones del arte contempor\u00e1neo, sobre lo positivo de su negatividad.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Hacia un arte transparente. el problema del totalismo y el antitotalismo en la critica a la tradicion estetica de la modernidad en benjamin y heidegger.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Hacia un arte transparente. el problema del totalismo y el antitotalismo en la critica a la tradicion estetica de la modernidad en benjamin y heidegger. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jordi Iba\u00f1ez Fanes <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 06\/05\/1999<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Rafael Argullol Murgadas<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: eugenio Truas sagbuer <\/li>\n<li>eustaquio Barjau riu (vocal)<\/li>\n<li>jordi Llobet pomar (vocal)<\/li>\n<li> De azua comella  felix (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jordi Iba\u00f1ez Fanes Este trabajo compara las respectivas filos\u00f3fias del arte desarrolladas por walter benjamin y martin [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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