{"id":43590,"date":"2018-06-10T10:39:39","date_gmt":"2018-06-10T10:39:39","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/algunos-aspectos-sociologicos-tematicos-formales-y-metricos-de-los-cantes-flamencos-en-especial-de-la-seguiriya-gitana\/"},"modified":"2018-06-10T10:39:39","modified_gmt":"2018-06-10T10:39:39","slug":"algunos-aspectos-sociologicos-tematicos-formales-y-metricos-de-los-cantes-flamencos-en-especial-de-la-seguiriya-gitana","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/algunos-aspectos-sociologicos-tematicos-formales-y-metricos-de-los-cantes-flamencos-en-especial-de-la-seguiriya-gitana\/","title":{"rendered":"Algunos aspectos sociologicos, tematicos, formales y metricos de los \u00abcantes flamencos\u00bb en especial de la seguiriya gitana."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jose Mercado Urena <\/strong><\/h2>\n<p>Aspectos sociologicos  formales y metricos del  cante flamenco . Aspectos sociologicos: 1. Es una manifestacion lirica de clases marginadas. 2.- Se produjo en la bahia gaditana y en las postrimerias s. Xviii.- 3. Es canto de divos. 4.- No es canto de gitanos. Aspectos formales y metricos: 1.- La seguiriya gitana es lo mas peculiar dentro del cante flamenco. 2.- Es una variante de la seguidilla comun con enlaces con las endechas y seguidillas de seis silabas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Algunos aspectos sociologicos, tematicos, formales y metricos de los \u00abcantes flamencos\u00bb en especial de la seguiriya gitana.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Algunos aspectos sociologicos, tematicos, formales y metricos de los \u00abcantes flamencos\u00bb en especial de la seguiriya gitana. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jose Mercado Urena <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 M\u00e1laga<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1977<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Alvar Lopez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Manuel Alvar Lopez <\/li>\n<li>Antonio  Pedro Garcia Berrio  Hernandez (vocal)<\/li>\n<li>Andr\u00e9s Soria Ortega (vocal)<\/li>\n<li>Mar\u00eda  Del Pilar Palomo Vazquez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jose Mercado Urena Aspectos sociologicos formales y metricos del cante flamenco . Aspectos sociologicos: 1. Es una [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,7834,9132,1111],"tags":[4261,14762,108070,793,108071],"class_list":["post-43590","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-malaga","category-musica-y-musicologia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-andres-soria-ortega","tag-antonio-pedro-garcia-berrio-hernandez","tag-jose-mercado-urena","tag-manuel-alvar-lopez","tag-maria-del-pilar-palomo-vazquez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/43590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=43590"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/43590\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=43590"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=43590"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=43590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}