{"id":44215,"date":"2018-09-24T14:45:30","date_gmt":"2018-09-24T14:45:30","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-escultura-del-renacimiento-en-galicia-el-manierismo\/"},"modified":"2018-09-24T14:45:30","modified_gmt":"2018-09-24T14:45:30","slug":"la-escultura-del-renacimiento-en-galicia-el-manierismo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-escultura-del-renacimiento-en-galicia-el-manierismo\/","title":{"rendered":"La escultura del renacimiento en galicia. el manierismo."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Vila Jato M. Dolores <\/strong><\/h2>\n<p>La escultura gallega del ultimo tercio del siglo xvi depende  en buena medida del arte castellano contemporaneo. El influjo mas notable es el de juan de juni que incide de forma decisiva en la produccion artistica de escultores como.  El maestro de sobrado juan de anges  el mozo  juan davila o gregorio espa\u00f1ol.  sus corrientes manieristas derivadas de los talleres cortesanos de felipe ii hallan su reflejo en la obra tanto de bautista celma como mateo lopez. Se trabaja fundamentalmente como arquitecto. En la ultima decada del s.Xvi se produce ya una cierta inclinacion al naturalismo de manos de los escultores que enlazaron con el barroco; entre ellos el mas interesante es alonso Martinez.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La escultura del renacimiento en galicia. el manierismo.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La escultura del renacimiento en galicia. el manierismo. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Vila Jato M. Dolores <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Santiago de compostela<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1978<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ramon Otero Tu\u00f1ez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Ramon Otero Tu\u00f1ez <\/li>\n<li>Jos\u00e9 Manuel Pita Andrade (vocal)<\/li>\n<li> Martin Gonzalez Juan  Jos\u00e9 (vocal)<\/li>\n<li>Concepcion Garcia Gainza (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Vila Jato M. Dolores La escultura gallega del ultimo tercio del siglo xvi depende en buena medida [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,4363,977,1111],"tags":[12862,3683,12567,108844,21339],"class_list":["post-44215","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-escultura","category-santiago-de-compostela","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-concepcion-garcia-gainza","tag-jose-manuel-pita-andrade","tag-martin-gonzalez-juan-jose","tag-ramon-otero-tunez","tag-vila-jato-m-dolores"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/44215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=44215"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/44215\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=44215"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=44215"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=44215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}