{"id":44384,"date":"2018-10-22T22:55:42","date_gmt":"2018-10-22T22:55:42","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/frecuencia-distribucion-y-significado-de-la-imagen-en-la-obra-le-chant-de-monde-de-jean-giono\/"},"modified":"2018-10-22T22:55:42","modified_gmt":"2018-10-22T22:55:42","slug":"frecuencia-distribucion-y-significado-de-la-imagen-en-la-obra-le-chant-de-monde-de-jean-giono","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/linguistica\/frecuencia-distribucion-y-significado-de-la-imagen-en-la-obra-le-chant-de-monde-de-jean-giono\/","title":{"rendered":"Frecuencia, distribucion y significado de la imagen en la obra le chant de monde de jean giono."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Martinez Lopez M. Teresa <\/strong><\/h2>\n<p>Estudio literario  linguistico  estilistico de las imagenes en la obra le chant de monde de jean giono.  hemos analizado el funcionamiento de las imagenes  en frecuencia y en distribucion  pudiendo destacar los soportes linguisticos de estas imagenes y su distribucion en las diversas categorias del relato. Al estudiar la distancia semantica de las imagenes realistas y las imagenes irreales y surrealistas. El hecho de resaltar las diferentes categorias de las cadenas metaforicas y de las imagenes-tipo nos permite destacar una imagen-matriz que dirige la obra. La segunda parte esta dedicada a las funciones de estas imagenes que podemos resumirlas en tres: descriptiva  dramatica y fantasmatica. Hemos estudiado tambien el paralelismo estetico existente entre le chant du monde de giono y los tapices de jean lurcat.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Frecuencia, distribucion y significado de la imagen en la obra le chant de monde de jean giono.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Frecuencia, distribucion y significado de la imagen en la obra le chant de monde de jean giono. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Martinez Lopez M. Teresa <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1978<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jes\u00fas Cantera  Ortiz De Urbina<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Yndurain Hernandez <\/li>\n<li>Jos\u00e9 Simon Diaz (vocal)<\/li>\n<li>Alonso Zamora Vicente (vocal)<\/li>\n<li>Jes\u00fas Cantera  Ortiz De Urbina (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Martinez Lopez M. Teresa Estudio literario linguistico estilistico de las imagenes en la obra le chant de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[636,59,60],"tags":[15098,717,889,718,109088],"class_list":["post-44384","post","type-post","status-publish","format-standard","hentry","category-lengua-y-literatura","category-linguistica","category-linguistica-aplicada","tag-alonso-zamora-vicente","tag-francisco-yndurain-hernandez","tag-jesus-cantera-ortiz-de-urbina","tag-jose-simon-diaz","tag-Martinez-lopez-m-teresa"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/44384","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=44384"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/44384\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=44384"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=44384"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=44384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}