{"id":44612,"date":"2018-11-30T19:18:00","date_gmt":"2018-11-30T19:18:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-autor-de-un-protagonista-las-obras-dramaticas-de-john-osborne-1956-1966\/"},"modified":"2018-11-30T19:18:00","modified_gmt":"2018-11-30T19:18:00","slug":"el-autor-de-un-protagonista-las-obras-dramaticas-de-john-osborne-1956-1966","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-autor-de-un-protagonista-las-obras-dramaticas-de-john-osborne-1956-1966\/","title":{"rendered":"El autor de un protagonista. las obras dramaticas de john osborne 1956-1966."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Rafael Portillo Garc\u00eda <\/strong><\/h2>\n<p>En esta tesis doctoral se combina el estudio detallado de las piezas dramaticas de osborne a nivel sincronico con un analisis diacronico de las mismas. Se trata de una vision de conjunto de toda la produccion de esa decada en un intento de ofrecer al estudioso del teatro las perspectivas necesarias para enfocar la tecnica y el estilo del dramaturgo. Tomando como modelo al personaje protagonista se dividen las obras de ese periodo en cuatro grandes apartados  segun otras tantas facetas que se detectan en dicho personaje  se llega a la conclusion de que los estrenos de aquelos a\u00f1os fueron una continua busqueda en pos de un protagonista ideal.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El autor de un protagonista. las obras dramaticas de john osborne 1956-1966.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El autor de un protagonista. las obras dramaticas de john osborne 1956-1966. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Rafael Portillo Garc\u00eda <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Salamanca<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1978<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Coy Ferrer F. Javier<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Coy Ferrer F. Javier <\/li>\n<li>Feliciano P\u00e9rez Varas (vocal)<\/li>\n<li>Esteban Pujals Fontrodona (vocal)<\/li>\n<li>Candido Perez Gallego (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rafael Portillo Garc\u00eda En esta tesis doctoral se combina el estudio detallado de las piezas dramaticas de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,9386,1110,1111],"tags":[6079,6187,814,9497,12089],"class_list":["post-44612","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-salamanca","category-teatro","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-candido-perez-gallego","tag-coy-ferrer-f-javier","tag-esteban-pujals-fontrodona","tag-feliciano-perez-varas","tag-rafael-portillo-garcia"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/44612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=44612"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/44612\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=44612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=44612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=44612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}