{"id":44792,"date":"2019-01-04T16:01:38","date_gmt":"2019-01-04T16:01:38","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-cultura-de-la-imagen-en-la-fiesta-barroca-un-ejemplo-caracteristico-fiestas-de-la-inmaculada-concepcion-de-1622-en-valencia\/"},"modified":"2019-01-04T16:01:38","modified_gmt":"2019-01-04T16:01:38","slug":"la-cultura-de-la-imagen-en-la-fiesta-barroca-un-ejemplo-caracteristico-fiestas-de-la-inmaculada-concepcion-de-1622-en-valencia","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-cultura-de-la-imagen-en-la-fiesta-barroca-un-ejemplo-caracteristico-fiestas-de-la-inmaculada-concepcion-de-1622-en-valencia\/","title":{"rendered":"La cultura de la imagen en la fiesta barroca: un ejemplo caracteristico (fiestas de la inmaculada concepcion de 1622 en Valencia)."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Pilar Pedraza Martinez <\/strong><\/h2>\n<p>Es un estudio de la constante iconica  en los a\u00f1os del barroco  de las celebraciones religiosas o civiles en Valencia  profundizando en las festividades de la inmaculada concepcion y especialmente las del s. Xvii concretando en las motivaciones sociales y culturales de la fiesta de la inmaculada de 1662  con su proyeccion artistica y simbolica  sobre todo en la  arquitectura efimera  de los carros procesionales y de los altares instalados por las diversas corporaciones ciudadanas en las calles.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La cultura de la imagen en la fiesta barroca: un ejemplo caracteristico (fiestas de la inmaculada concepcion de 1622 en Valencia).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La cultura de la imagen en la fiesta barroca: un ejemplo caracteristico (fiestas de la inmaculada concepcion de 1622 en Valencia). <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Pilar Pedraza Martinez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1978<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Garin Ortiz De Taranco Felipe M.<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Garin Y Ortiz De Taranco Felipe M. <\/li>\n<li>Santiago Sebastian Lopez (vocal)<\/li>\n<li> San Valero Aparisi Juli\u00e1n (vocal)<\/li>\n<li>Francisco Leon Tello (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Pilar Pedraza Martinez Es un estudio de la constante iconica en los a\u00f1os del barroco de las [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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